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Special offer. Mendelssohn & Schumann: Violin Concertos

Carolin Widmann (violin/director)

Chamber Orchestra of Europe

Awards:

The Concerto finds Schumann staring into the abyss, but its slow movement, in particular, has an otherworldly atmosphere that is profoundly affecting. Carolin Widmann and the Chamber Orchestra...

Special offer. Mendelssohn & Schumann: Violin Concertos

Carolin Widmann (violin/director)

Chamber Orchestra of Europe

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This release includes a digital booklet

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Awards:

The Concerto finds Schumann staring into the abyss, but its slow movement, in particular, has an otherworldly atmosphere that is profoundly affecting. Carolin Widmann and the Chamber Orchestra...

About

For her sixth ECM recording, violinist Carolin Widmann brings together the last major orchestral works of the two German composers: Felix Mendelssohn Bartholdy’s Violin Concerto op 64, celebrated from the outset as a masterpiece, and Robert Schumann’s Violin Concerto WoO 23, which had to wait for so many years to find due recognition as one of the greatest compositions of the Romantic era.

Widmann leads the widely-acclaimed Chamber Orchestra of Europe in these inspired performances, recorded at Baden Baden’s Festspielhaus. Her earlier ECM recording, in 2007, of the Schumann Violin Sonatas (4766744) received the highest international praise, including a Gramophone Award nomination and each of her releases since then – with music from Schubert to Morton Feldman, Xenakis and Tüür – has emphasized her resourcefulness. In 2013 she was named Artist of the Year at the International Classical Music Awards.

Contents and tracklist

1. Allegro molto appassionato
Track length12:45
2. Andante - Allegretto non troppo
Track length8:16
3. Allegro molto vivace
Track length6:09
1. In kräftigem, nicht zu schnellem Tempo
Track length15:37
2. Langsam
Track length6:08
3. Lebhaft, doch nicht schnell
Track length10:31

Spotlight on this release

Awards and reviews

  • International Classical Music Awards
    2017
    Winner - Concerto

Christmas 2016

The Concerto finds Schumann staring into the abyss, but its slow movement, in particular, has an otherworldly atmosphere that is profoundly affecting. Carolin Widmann and the Chamber Orchestra of Europe give a deeply-felt account of it

Awards Issue 2016

This performance is clearly the result of much thought and consideration, with selective use of vibrato and that ‘growl’ as Widmann digs into the G string…the COE are with her all the way, responding to her instinctive rubato with a pleasing naturalness…good to hear both works played with such intelligence and with the COE on excellent form
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