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Brahms: The Violin Sonatas

Christian Tetzlaff (violin) & Lars Vogt (piano)

Brahms: The Violin Sonatas

Awards:

I get the impression that Christian Tetzlaff and Lars Vogt want to drag the composer out of his book-lined study and seal the door. It’s beautiful playing, tonally and expressively, and very...

Brahms: The Violin Sonatas

Christian Tetzlaff (violin) & Lars Vogt (piano)

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This release includes a digital booklet

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Awards:

I get the impression that Christian Tetzlaff and Lars Vogt want to drag the composer out of his book-lined study and seal the door. It’s beautiful playing, tonally and expressively, and very...

About

Award-winning violinist Christian Tetzlaff, together with pianist Lars Vogt, offers an exciting program of Violin Sonatas by Johannes Brahms (1833–1897). This new release continues a successful series of recordings of violin chamber works by the duo.

Johannes Brahms’s Violin Sonatas are among the greatest masterpieces in 19th-century chamber music. Brahms wrote these sonatas between 1878 and 1888,at the height of his creative powers. With these powerful works Brahms brought the genre of violin sonatas into a new dimension. Included is also Scherzo movement from the F. A. E. Sonata which Brahms contributed to a composite sonata with Robert Schumann and Albert Dietrich in 1853.

Contents and tracklist

I. Vivace ma non troppo
Track length10:46
II. Adagio
Track length7:22
III. Allegro molto moderato
Track length8:26
I. Allegro amabile
Track length8:03
II. Andante tranquillo - Vivace
Track length6:28
III. Allegro grazioso quasi andante
Track length5:21
I. Allegro
Track length7:46
II. Adagio
Track length4:19
III. Un poco presto e con sentimento
Track length3:01
IV. Presto agitato
Track length5:25
III. Scherzo in C Minor, WoO 2
Track length5:23

Awards and reviews

  • Gramophone Magazine
    September 2016
    Disc of the Month
  • ECHO Klassik Awards
    2017
    Winner

November 2016

I get the impression that Christian Tetzlaff and Lars Vogt want to drag the composer out of his book-lined study and seal the door. It’s beautiful playing, tonally and expressively, and very musical, but it’s also surprisingly open – Brahms after an expensive course of Viennese psychotherapy

September 2016

a breathtaking balance of poise and daring...Tetzlaff and Vogt take obvious pleasure in details without losing sight of the larger picture, whether it’s a phrase, a movement or an entire work. Indeed, they sharply delineate the individual character of each sonata.

29th December 2016

These are thought-provoking and scrupulously intelligent performances.

14th August 2016

Tetzlaff’s distinctive, quicksilver playing, capable of extreme pianissimo, suits the intensity and introspection in each...The performances are agile, airborne, refreshingly unpredictable and alive with exhilarating freedom.

Classical Ear September 2016

Peers but individuals too; and the tellingly close rapport between Christian Tetzlaff and Lars Vogt is exemplified in the last movement of the G major sonata…it’s a graphic study in numerous soft shades, graphically captured here. They exemplify the depth of thought, concentration and impassioned feeling that infuse these interpretations
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