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Satie: Socrate

Barbara Hannigan (soprano), Reinbert de Leeuw (piano)

Satie: Socrate

Awards:

Hannigan and De Leeuw perfectly capture the elusive, emotionally detached nature of Socrate

Satie: Socrate

Barbara Hannigan (soprano), Reinbert de Leeuw (piano)

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This release includes a digital booklet

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Awards:

Hannigan and De Leeuw perfectly capture the elusive, emotionally detached nature of Socrate

About

With 2016 being the 150th anniversary year of the birth of Erik Satie, Barbara Hannigan and Reinbert de Leeuw present with expressive intensity and in a unique way, the fascinating sound world of this leading French composer and pianist. Hannigan and de Leeuw let us discover and experience Satie’s almost forgotten and unique vocal compositions: Trois Mélodies, Trois Autres Mélodies and Hymne. The main work and title of the album is the composition Socrate comprising of three parts - Portrait de Socrate, Les Bords d’Illissus and Mort de Socrate: music which sounds white, transparent and fragile.

Contents and tracklist

No. 1. Les anges
Track length2:45
No. 2. Élegie
Track length3:41
No. 3. Sylvie
Track length3:36
No. 1. Chanson
Track length1:08
No. 2. Chanson médiévale
Track length1:23
No. 3. Les fleurs
Track length1:53
No. 1. Portrait de Socrate
Track length5:49
No. 2. Bords de I'llissus
Track length7:30
No. 3. Mort de Socrate
Track length18:24

Spotlight on this release

Awards and reviews

  • BBC Music Magazine
    August 2016
    Disc of the month
  • Gramophone Magazine
    June 2016
    Editor's Choice

August 2016

Hannigan and De Leeuw perfectly capture the elusive, emotionally detached nature of Socrate

June 2016

Throughout their album, Barbara Hannigan and Reinbert de Leeuw maintain a very noticeable consistency of mood, atmosphere and colour. The coolly detached house style of Winter & Winter has been respected but an aesthetic decision has clearly been taken to represent Satie as a creative lone wolf.

July 2016

Barbara Hannigan proves to be one of the finest interpreters of this music…while Reinbert de Leeuw proves that you do not need the chamber orchestra in Socrate. Indeed, the partnership between Hannigan and De Leeuw shows great intelligence and a true sense of ensemble that opens this music to a greater understanding.

5th May 2016

Hannigan sings the songs of Erik Satie as if she’s sitting next to you, whispering and cooing across the kitchen table with sufficient breathiness, soft edges and exquisite spaciousness to match Reinbert de Leeuw’s sweet-melancholy piano chords.
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