Kenneth Hesketh: Horae (pro clara)

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Magic and mystery, along with clock-like mechanics, feature again in the compositions for piano brought together on this new disc from BIS. It is extremely well recorded, with Clare Hammond…playing... — Gramophone Magazine, July 2016 More…

Release Date: 27th May 2016
Catalogue No: BIS2193
Label: BIS
Length: 66 minutes

Usually despatched in 3 - 4 working days

Hesketh: Through Magic Casements

Work length4:47

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Clare Hammond
Recorded: August 2015
Recording Venue: Cardiff University Concert Hall, Wales, United Kingdom

Hesketh: Horae (pro clara)

Work length42:05

$12.00

$15.60

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Clare Hammond

I. Trasparente

Track length3:02

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II. Velocissima assai

Track length3:23

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III. Semplice

Track length3:17

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IV. Agilmente

Track length2:45

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V. Diretto, ancora fluido

Track length3:06

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VI. Nervoso, ma dolce

Track length3:32

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VII. Capriccioso

Track length2:45

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VIII. Ritmico - Flessibile

Track length4:25

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IX. Capriccioso

Track length3:00

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X. Scorrevole

Track length3:45

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XI. Indolente

Track length3:01

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XII. Molto misterioso. Desolate

Track length6:04

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Hesketh: Notte Oscura

Work length7:00

$2.00

$2.60

$3.50

Clare Hammond
Recorded: August 2015
Recording Venue: Cardiff University Concert Hall, Wales, United Kingdom

Hesketh: 3 Japanese Miniatures

Work length12:36

$3.00

$3.90

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Clare Hammond

No. 1, Temple Music

Track length3:43

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No. 2, The Cradle Rocks...

Track length4:50

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No. 3, Little Bumbuku

Track length4:03

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About
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About

Following up on Etude and Reflections, her recent, highly acclaimed releases on BIS, here Clare Hammond performs music by her compatriot, the British composer Kenneth Hesketh, whose stimuli include classical architecture, medieval iconography, poetry and Bauhaus constructivism. In her liner notes, Clare Hammond describes his works for the piano as 'music of phenomenal depth in which there is always something new to discover, something to surprise even the most jaded ear’. The centrepiece of the disc is Horae (pro clara), composed for Clare Hammond: a 40-minute cycle in twelve parts that together form a breviary or miniature book of hours. None of the movements are titled, but many are provided with evocative performance directions, for example: ‘as fleet as the tiniest humming bird' and ‘impishly sardonic’. Some also incorporate literary references, such as a quote from 1 Corinthians in the twelfth: ‘for now we see through a glass, darkly’. The three shorter works that frame Horae are all earlier works. Notte Oscura was written in 2002 and is essentially a piano transcription of music from Hesketh’s opera The Overcoat, after Nikolai Gogol's short story. Composed in the same year, Three Japanese Miniatures develops material from another stage project, a puppet ballet based on Japanese folk tales entitled The Record of Ancient Matters. The work that opens the disc, Through Magic Casements from 2008, takes its title from another literary source: Keats’ poem Ode to a Nightingale. Many of the sonic effects seem to echo imagery in the poem, and the music evaporates at the end, as in Keats’ poem: ‘Fled is that music: – do I wake or sleep?’

Reviews

July 2016

Magic and mystery, along with clock-like mechanics, feature again in the compositions for piano brought together on this new disc from BIS. It is extremely well recorded, with Clare Hammond…playing throughout with a winning combination of technical subtlety and expressive spontaneity in music that presents plenty of challenges to the performer

24th May 2016

Awards await this remarkable release

12th June 2016

[Hesketh] composes music of delicate luminosity...But it’s not all in that vein of extreme subtlety. Bursts of colour and darkness offer contrast and rigour, virtuosically handled by Hammond, a star interpreter of contemporary music.

classicalsource.com January 2017

It’s a real pleasure to listen to Kenneth Hesketh’s piano music, played with such dedication by Clare Hammond, and superbly recorded, too

The Classical Reviewer 28th May 2016

Clare Hammond gives stunning performances that bring out all the poetry, delicacy, power, fluency, rhythmic buoyancy and sheer virtuosity contained in these striking works

Kenneth Hesketh: Horae (pro clara)

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