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Sonates et Suites

Dan Laurin (recorder), Domen Marincic (cello) & Anna Paradiso (harpsichord)

Sonates et Suites
Laurin enriches the Lentement of the [Philidor] with expressive vibrato but it is Philidor’s lively syncopated fugues that give most pleasure. The Blavet is a virtuoso work – the variations...

Sonates et Suites

Dan Laurin (recorder), Domen Marincic (cello) & Anna Paradiso (harpsichord)

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$18.00

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Laurin enriches the Lentement of the [Philidor] with expressive vibrato but it is Philidor’s lively syncopated fugues that give most pleasure. The Blavet is a virtuoso work – the variations...

About

Since 1987, Dan Laurin has released some thirty titles on BIS. On his latest disc, Sonates et Suites he has chosen to visit France at an exciting point in time. In the early 18th century, when all of the sonatas and suites included here were composed, the system of censorship that ensured that nothing was printed without royal permission was beginning to crumble, at least in the field of music. One contributing factor was ‘le Concert Spirituel’, a series of privately arranged public concerts which was inaugurated in 1725, and which meant nothing less than an aesthetic revolution for the attending Parisians. Sometimes performances of Italian music in particular led to actual brawls between advocates of the French and the Italian styles. On this expansive disc, Laurin and his fellow musicians Anna Paradiso on harpsichord and cellist Domen Marinčič illustrate this process in sound, with a quintessentially French suite by Charles Dieupart rubbing shoulders with an italianate 'Suite-Sonate' by Jacques-Martin Hotteterre. The disc also presents Dan Laurin with the perfect opportunity to perform on his own instrument the most iconic piece of French music from this period. Prepare yourself for Marin Marais' Folies d'Espagne like you have never heard them before, in Laurin's own arrangement for solo recorder!

Contents and tracklist

I. Vivace
Track length1:27
II. Fuga da capella. Alla breve
Track length2:01
III. Largo
Track length1:37
IV. Allegro ma non presto
Track length3:14
I. Lentement
Track length3:02
II. Fugue
Track length1:23
III. Courante
Track length1:15
IV. Les note égale et détacher
Track length1:34
V. Fugue
Track length1:46
I. Ouvertüre
Track length5:20
II. Allemande
Track length3:24
III. Courante
Track length1:34
IV. Sarabande
Track length2:25
V. Gavotte
Track length0:49
VI. Menuet
Track length1:07
VII. Gigue
Track length1:37
I. Prelude. Lentement
Track length2:00
II. Allemande. Gay
Track length2:17
III. Courante
Track length1:30
IV. Grave
Track length2:05
V. Gigue
Track length1:21
I. Adagio
Track length2:20
II. Allegro
Track length2:40
III. Aria gratioso. Allegro ma non troppo
Track length2:30
I. Andante e spicato
Track length1:22
II. Allegro
Track length3:22
III. Minuetto. Variations I & II
Track length4:42
I. Gravement
Track length2:22
II. Allemande. Gay
Track length3:39
III. Chaconne. Moderato
Track length8:37

Awards and reviews

June 2016

Laurin enriches the Lentement of the [Philidor] with expressive vibrato but it is Philidor’s lively syncopated fugues that give most pleasure. The Blavet is a virtuoso work – the variations in the final movement are definitely not for amateurs – and all the better for being paired with harpsichord alone. Anna Paradiso’s accompaniments are unfailingly sympathetic and stylish
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