Special offer. Zemlinsky: Der Traumgörge
Patricia Racette (Gertraud), David Kuebler (Görge), Edmund Zelotes Toliver (Mathes), Lothar Odinius (Zungl), Susan Anthony (Princess), Julian Rodescu (Peasant/Pastor), Michael Volle (Kaspar), Andreas Schmidt (Hans), Nathalie Karl (Marei), Iride Martinez (Grete), Machiko Obata (Innkeeper's Wife),...
Conlon’s cast is very strong and his command of the score impressive. He reveals that what had seemed an intriguing but confused opera is in fact one of Zemlinsky’s most personal, accomplished...
Special offer. Zemlinsky: Der Traumgörge
Patricia Racette (Gertraud), David Kuebler (Görge), Edmund Zelotes Toliver (Mathes), Lothar Odinius (Zungl), Susan Anthony (Princess), Julian Rodescu (Peasant/Pastor), Michael Volle (Kaspar), Andreas Schmidt (Hans), Nathalie Karl (Marei), Iride Martinez (Grete), Machiko Obata (Innkeeper's Wife),...
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Conlon’s cast is very strong and his command of the score impressive. He reveals that what had seemed an intriguing but confused opera is in fact one of Zemlinsky’s most personal, accomplished...
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Contents and tracklist
- Andreas Schmidt (bass-baritone), David Kuebler (vocals), Iride Martinez (soprano), Patricia Racette (soprano), Susan Anthony (soprano)
- Gürzenich-Orchester Köln
- James Conlon
- Andreas Schmidt (bass-baritone), David Kuebler (vocals), Iride Martinez (soprano), Patricia Racette (soprano), Susan Anthony (soprano)
- Gürzenich-Orchester Köln
- James Conlon
Zemlinsky:
Der Traumgörge, Op. 11, Act 2Wirtin, he! Ist niemand da?" (Görge, Gertraud)
Work length2:26
- Andreas Schmidt (bass-baritone), David Kuebler (vocals), Iride Martinez (soprano), Patricia Racette (soprano), Susan Anthony (soprano)
- Gürzenich-Orchester Köln
- James Conlon
- Andreas Schmidt (bass-baritone), David Kuebler (vocals), Iride Martinez (soprano), Patricia Racette (soprano), Susan Anthony (soprano)
- Gürzenich-Orchester Köln
- James Conlon
Awards and reviews
Conlon’s cast is very strong and his command of the score impressive. He reveals that what had seemed an intriguing but confused opera is in fact one of Zemlinsky’s most personal, accomplished and fascinating scores.

