Monteverdi: Il pianto della Madonna
Composizioni Spirituali
La Compagnia del Madrigale
As with other recordings by La Compagnia del Madrigale, we get superb tuning (the harmonies strongly secured by the rock-steady bass voice of Daniele Carnovich) and infinitely nuanced renderings...
Monteverdi: Il pianto della Madonna
Composizioni Spirituali
La Compagnia del Madrigale
Purchase product
As with other recordings by La Compagnia del Madrigale, we get superb tuning (the harmonies strongly secured by the rock-steady bass voice of Daniele Carnovich) and infinitely nuanced renderings...
About
With Monteverdi's 'Il pianto della Madonna', La Compagnia del Madrigale provide a stunning follow-up to their award-winning recording, also on Glossa, of the Fifth Book of madrigals by Marenzio.
Recorded in Roletto, they present the spiritual version of the celebrated 'Lamento d’Arianna' from the lost opera 'Arianna' – Il pianto della Madonna – sung in a distinctive polyphonic reworking prepared especially for La Compagnia del Madrigale. Pastoral concerns in Monteverdi’s madrigals, such as in the Fourth and Fifth Books, make way for reflections on the Crucifixion or the Nativity through the new religious texts supplied by the likes of Angelo Grillo and Aquilino Coppini, which nonetheless fit the music more than aptly. Included also are some of Monteverdi’s own religious compositions, as published by Giulio Cesare Bianchi, and including the extensive 'Litaniae lauretanae'.
In the booklet essay Marco Bizzarini brings his deep understanding of the interplay of words and music in Italy in Monteverdi’s time, underscoring the skill, experience and sheer musicality of La Compagnia del Madrigale.
Contents and tracklist
- La Compagnia del Madrigale
- Recorded: 25 September 2014
- Recording Venue: Chiesa della BV Maria del Monte Carmelo al Colletto, Roletto, Italy
- La Compagnia del Madrigale
- Recorded: 25 September 2014
- Recording Venue: Chiesa della BV Maria del Monte Carmelo al Colletto, Roletto, Italy
- La Compagnia del Madrigale
- Recorded: 25 September 2014
- Recording Venue: Chiesa della BV Maria del Monte Carmelo al Colletto, Roletto, Italy
- Luca Guglielmi (organ)
- Recorded: 25 September 2014
- Recording Venue: Chiesa della BV Maria del Monte Carmelo al Colletto, Roletto, Italy
- Luca Guglielmi (organ)
- La Compagnia del Madrigale
- Recorded: 25 September 2014
- Recording Venue: Chiesa della BV Maria del Monte Carmelo al Colletto, Roletto, Italy
- Luca Guglielmi (organ)
- La Compagnia del Madrigale
- Recorded: 25 September 2014
- Recording Venue: Chiesa della BV Maria del Monte Carmelo al Colletto, Roletto, Italy
- Luca Guglielmi (organ)
- La Compagnia del Madrigale
- Recorded: 25 September 2014
- Recording Venue: Chiesa della BV Maria del Monte Carmelo al Colletto, Roletto, Italy
- Recorded: 25 September 2014
- Recording Venue: Chiesa della BV Maria del Monte Carmelo al Colletto, Roletto, Italy
- Recorded: 25 September 2014
- Recording Venue: Chiesa della BV Maria del Monte Carmelo al Colletto, Roletto, Italy
- Luca Guglielmi (organ)
- La Compagnia del Madrigale
- Recorded: 25 September 2014
- Recording Venue: Chiesa della BV Maria del Monte Carmelo al Colletto, Roletto, Italy
- Marta Graziolino (harp), Luca Guglielmi (organ)
- La Compagnia del Madrigale
- Recorded: 25 September 2014
- Recording Venue: Chiesa della BV Maria del Monte Carmelo al Colletto, Roletto, Italy
Awards and reviews
June 2016
As with other recordings by La Compagnia del Madrigale, we get superb tuning (the harmonies strongly secured by the rock-steady bass voice of Daniele Carnovich) and infinitely nuanced renderings of the texts…stunning displays of musical understanding outstripping previous recordings in this regard.
June 2016
The main virtue of this issue is obviously the singing of La Compagnia del Madrigale…a superb ensemble, with the wonderful Rossana Bertini as first soprano…their sound is beautifully focused, with just enough expression to make the best of the music without exaggerating anything [and] they are all fully inside Monteverdi’s style and his music
