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Smetana: Czech Dances & On the seashore

Garrick Ohlsson (piano)

Awards:

Notwithstanding the essential simplicity of their form, Smetana imbues [the Czech Dances] with considerable sophistication. The first has a musing, reflective quality captured beautifully by...

Smetana: Czech Dances & On the seashore

Garrick Ohlsson (piano)

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This release includes a digital booklet

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Awards:

Notwithstanding the essential simplicity of their form, Smetana imbues [the Czech Dances] with considerable sophistication. The first has a musing, reflective quality captured beautifully by...

About

Smetana’s two sets of Czech Dances—the first comprising four Chopin-esque Polkas, the second exploring other dance forms more associated with Dvořák—provide the ideal vehicle for the understated pianism of Garrick Ohlsson. The evocative tone poem in miniature On the seashore completes the programme.

Contents and tracklist

No 1. Polka in F minor. Non molto allegro
Track length3:25
No 2. Polka in A minor. Moderato
Track length2:44
No 3. Polka in F major. Allegro
Track length3:39
No 4. Polka in B flat major. Lento
Track length3:53
No 01. Furiant in A minor. Presto
Track length5:29
No 02. Slepička (The little hen) in B flat major. Moderato
Track length3:26
No 03. Oves (Oats) in A flat major. Andantino
Track length5:16
No 04. Medvěd (The bear) in C major. Allegro
Track length3:21
No 05. Cibulička (The little onion) in G minor. Moderato
Track length4:55
No 06. Dupák in D major. Vivacissimo
Track length3:37
No 07. Hulán (The lancer) in A major. Andantino
Track length5:20
No 08. Obkročák in E flat major. Allegro
Track length3:11
No 09. Sousedská in B major. Moderato
Track length4:50
No 10. Skočná in F major. Vivace
Track length3:41

Spotlight on this release

Awards and reviews

June 2016

Notwithstanding the essential simplicity of their form, Smetana imbues [the Czech Dances] with considerable sophistication. The first has a musing, reflective quality captured beautifully by Ohlsson, and the joyous effervescence of the right hand figuration in the second is suitably dazzling…Ohlsson’s performances are consistently attractive…this beautifully recorded issue will certainly not disappoint

May 2016

A large part of the flavours in these readings derives from the aplomb with which Ohlsson negotiates tempo fluctuations within individual dances, as if to the manner born. Listening to them, it’s easy to feel that Smetana’s ambition to do for the polka what Chopin did for the mazurka was fully realised…what an accomplishment to present them not only lovingly but fairly bursting with character

12th August 2016

A delightful discovery and a companion to the dances of Brahms and Dvorak.
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