Special offer. Cançons i danses catalanes
Franz Halász (guitar)
[the Fantasia-Sonata is] a substantial single-movement work of dramatic contrasts that elicits some of Halász’s most thrilling and colourful playing. But the Mompou, next in order of scale and...
Special offer. Cançons i danses catalanes
Franz Halász (guitar)
Purchase product
[the Fantasia-Sonata is] a substantial single-movement work of dramatic contrasts that elicits some of Halász’s most thrilling and colourful playing. But the Mompou, next in order of scale and...
About
In the latter half of the 1800s there was a resurgence of Catalan culture, and during the period that followed Barcelona produced many outstanding performers and composers, including Enrique Granados, Ricardo Viñes, Alicia de Larrocha and Pablo Casals. On this disc of Catalan ’songs and dances’, Franz Halász presents us with three other names worthy of inclusion on this list: Frederic Mompou, Miquel Llobet and Joan Manén. Mompou is certainly best known for his piano music, and the Cançó i dansa No. 10 was actually composed for that instrument. The composer made this guitar transcription himself, however, suggesting that he may well have had that instrument in mind when writing for the piano. Both Cançó i dansa No. 13, based on two traditional Catalan songs, and the Suite Compostelana are original guitar works. Some fifteen years older than Mompou, Llobet was a guitarist who toured internationally, but he also composed. His arrangements of Catalan folk songs are among his most enduring contributions to the guitar repertoire. These tunes were well known to the Barcelona public in Llobet’s day, and arrangements of songs like La filadora (‘The Spinner Woman’), Cançó del lladre (‘Song of the Thief’) and La Nit de Nadal (‘Christmas Eve’) received an enthusiastic reception. Closing the programme is the Fantasia-Sonata by Joan Manén, a musical prodigy who went on to enjoy an international career as a virtuoso violinist. Manén was also a versatile composer, who with this piece, dedicated to Andrés Segovia, created a fine contribution to the literature for guitar.
Contents and tracklist
- Franz Halász
- Recorded: December 2014 and March 2015
- Recording Venue: Großer Saal, Hochschule für Musik und Theater München, Germany
- Franz Halász
- Recorded: December 2014 and March 2015
- Recording Venue: Großer Saal, Hochschule für Musik und Theater München, Germany
- Franz Halász
- Recorded: December 2014 and March 2015
- Recording Venue: Großer Saal, Hochschule für Musik und Theater München, Germany
- Franz Halász
- Recorded: December 2014 and March 2015
- Recording Venue: Großer Saal, Hochschule für Musik und Theater München, Germany
- Franz Halász
- Recorded: December 2014 and March 2015
- Recording Venue: Großer Saal, Hochschule für Musik und Theater München, Germany
Awards and reviews
June 2016
[the Fantasia-Sonata is] a substantial single-movement work of dramatic contrasts that elicits some of Halász’s most thrilling and colourful playing. But the Mompou, next in order of scale and substance, receives an equally compelling performance by virtue of Halász’s ability to switch gears so convincingly…pieces like ‘El noi de la mare’…become more bittersweet remembrances of things past than mere miniatures for salon or studio.
2nd June 2016
Just set aside an hour and immerse yourself in this