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Bach, J S: Mass in B minor, BWV232
Maria Keohane (soprano), Joanne Lunn (soprano), Alex Potter (countertenor), Jan Kobow (tenor), Peter Harvey (bass)
Concerto Copenhagen, Lars Ulrik Mortensen
Awards:
-
Gramophone Magazine, March 2016, Editor's Choice
-
Building a Library, February 2017, First Choice
-
Gramophone Awards, 2016, Shortlisted - Baroque Vocal
To my mind, Mortensen’s special performance, which is full to the brim with insightful musicianship and has a refreshing avoidance of contrived formulas, comfortably joins Parrott (EMI), Junghänel...
Bach, J S: Mass in B minor, BWV232
Maria Keohane (soprano), Joanne Lunn (soprano), Alex Potter (countertenor), Jan Kobow (tenor), Peter Harvey (bass)
Concerto Copenhagen, Lars Ulrik Mortensen
Purchase product
Awards:
-
Gramophone Magazine, March 2016, Editor's Choice
-
Building a Library, February 2017, First Choice
-
Gramophone Awards, 2016, Shortlisted - Baroque Vocal
To my mind, Mortensen’s special performance, which is full to the brim with insightful musicianship and has a refreshing avoidance of contrived formulas, comfortably joins Parrott (EMI), Junghänel...
About
The Concerto Copenhagen, the leading Scandinavian ensemble for historical performance practice, is currently regarded worldwide as one of the most remarkable and imaginative orchestras in this field under its artistic director Lars Ulrik Mortensen. The orchestra’s vitality, sense of style, and communicative talent have become its trademarks.
Accordingly, we have decided to release Bach’s Mass in B minor on two SACDS (moreover, in quality surround sound) featuring this extraordinary ensemble and top-class soloists.
Contents and tracklist
- Else Torp, Hanna Kappelin, Valdemar Villadsen, Christopher Watson, Jakob Bloch Jespersen, Maria Keohane, Joanne Lunn, Jan Kobow, Alex Potter, Peter Harvey
- Concerto Copenhagen
- Lars Ulrik Mortensen
Awards and reviews
-
Gramophone MagazineMarch 2016Editor's Choice
March 2016
To my mind, Mortensen’s special performance, which is full to the brim with insightful musicianship and has a refreshing avoidance of contrived formulas, comfortably joins Parrott (EMI), Junghänel and John Butt (Linn) as the finest examples of this kind of perspective on performing Bach’s monumental sacred masterpiece.
Early Music Today August 2016
I’ll highlight ‘Confiteor’ (Credo) where the solace derived from the ‘remission of sins’ is realised in Mortensen’s performance with translucent tenderness…[Mortensen’s concertino team] is the strongest I’ve yet heard
Download queue
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