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Zandonai: Francesca da Rimini

Christina Vasileva, Martin Muhle, Juan Orozco, Adriano Graziani, Kim-Lillian Strebel, Benedicte Tauran, Sally Wilson & Marija Jokovic

Freiburger Kammerchor, Opern- und Extrachor des Theater Freiburg, Vokalensemble der Hochschule fur Musik, Freiburg & Philharmonisches Orchester Freiburg,...

Zandonai: Francesca da Rimini

Awards:

This new CPO set, the first, as far as I’m aware, to present the score uncut, fills an important gap, giving us a well-engineered modern account of the work...But it’s also an excellent achievement...

Zandonai: Francesca da Rimini

Christina Vasileva, Martin Muhle, Juan Orozco, Adriano Graziani, Kim-Lillian Strebel, Benedicte Tauran, Sally Wilson & Marija Jokovic

Freiburger Kammerchor, Opern- und Extrachor des Theater Freiburg, Vokalensemble der Hochschule fur Musik, Freiburg & Philharmonisches Orchester Freiburg,...

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$25.75

320 kbps, MP3

$20.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

Awards:

This new CPO set, the first, as far as I’m aware, to present the score uncut, fills an important gap, giving us a well-engineered modern account of the work...But it’s also an excellent achievement...

About

It is a story made for the stage: Francesca da Rimini is a deceived woman-in-love who disregards her arranged marriage, decides that she has the perfect right to true love, and ends up murdered.

Dante originally wrote a few verses on this subject, but some decades later Boccaccio expanded the sketch into a tale containing all the ingredients of a genuine tragedy. In 1901 Gabriele D’Annunzio drew on this material to pen a scandalous fin de siècle drama. The music publisher Ricordi recognized this plot’s potential as a music drama and commissioned the young Riccardo Zandonai to compose the music for it. The premiere in 1914 was a sensational success. The music adheres closely to the rhythm of the language and for the rest forms an iridescent backdrop saturated with colour and engaging in intensive depiction of the elements of setting and plot.

Artists

Christina Vasileva, Martin Muhle, Juan Orozco, Adriano Graziani, Kim-Lillian Strebel, Benedicte Tauran, Sally Wilson & Marija Jokovic

Freiburger Kammerchor, Opern- und Extrachor des Theater Freiburg, Vokalensemble der Hochschule fur Musik, Freiburg & Philharmonisches Orchester Freiburg, Fabrice Bollon

Contents and tracklist

Act I: O Donella, Donella (Garsenda, Biancofiore, Altichiara, Giullare, Donella, Le Donne)
Track length5:13
Act I: Come Morgana manda al re Artu (Giullare, Ostasio, Altichiara, Le Donne)
Track length3:11
Act I: Questi giullari et uomini di corte (Ostasio, Ser Toldo, Il Coro delle Donne, Francesca)
Track length3:41
Act I: Oime penare atroce! (Le Donne, Francesca)
Track length3:36
Act I: Francesca, dove andrai? (Samaritana, Francesca)
Track length5:27
Act I: Madonna Francesca! (Biancofiore, Donella, Francesca, Altichiara, Garsenda, Il Coro delle Donne)
Track length2:38
Act I: O Francesca, anima mia (Samaritana, Francesca)
Track length2:25
Act I: Viene! Viene! Madonna Francesca (Garsenda, Francesca, Le Donne)
Track length1:09
Act I: Per la terra di maggio (Il Coro delle Donne)
Track length4:36
Act II: E ancora sgombro il campo del comune? (Torrigiano, Balestriere, Francesca)
Track length1:53
Act II: Paolo! (Paolo, Francesca)
Track length4:27
Act II: Ah! Dove siamo noi? (Francesca, Torrigiano, Balestriere, Paolo)
Track length2:13
Act II: Questo cimento (Francesca, Paolo, Balestriere)
Track length1:29
Act II: Paolo! Paolo! (Francesca, Paolo, Balestriere)
Track length2:38
Act II: Viva Messer Giovanni Malatesta! (Balestriere, Gianciotto, Paolo)
Track length2:21
Act II: Francesca! (Gianciotto, Francesca)
Track length4:55
Act II: Sciagura! Non vedete? (Francesca, Gianciotto)
Track length1:41
Act II: Malatestino! Bevi, Malatestino! (Gianciotto, Malatestino)
Track length1:14
Act II: Che m'ho nell'occhio? (Malatestino, Gianciotto, Balestrieri)
Track length2:33
Act III: Introduction
Track length0:42
Act III: E Galeotto dice: Dama, abbiatene Pieta (Francesca, Garsenda, Biancofiore, Donella, La Schiava)
Track length4:21
Act III: Ah, Smaragdi, che vino mi recasti (Francesca, La Schiava)
Track length3:03
Act III: L'hai tu veduto montare a cavallo (Francesca, La Schiava)
Track length2:29
Act III: Abbiamo i suonatori (Donella, Biancofiore, Garsenda)
Track length1:14
Act III: Marzo e giunto a febbraio (Biancofiore, Garsenda, Altichiara, Donella, Francesca)
Track length6:01
Act III: No, Smaragdi, no! (Francesca)
Track length2:25
Act III: Benvenuto, signore mio cognato (Francesca, Paolo)
Track length2:44
Act III: Paolo, datemi pace! (Francesca)
Track length1:49
Act III: Inghirlandata di violette m'appariste ieri (Paolo, Francesca)
Track length1:58
Act III: Nemica ebbi la luce (Paolo, Francesca)
Track length3:11
Act III: Ah la parola che i miei occhi incontrano! (Paolo, Francesca)
Track length1:57
Act III: Leggiamo qualche pagina, Francesca! (Paolo, Francesca)
Track length1:36
Act III: Basta, Paolo! (Francesca, Paolo, Tutte)
Track length2:56
Act IV Part 1: Perche tanto sei strano? (Francesca, Malatestino)
Track length1:44
Act IV Part 1: Chi Grida? Hai udito? (Francesca, Malatestino)
Track length2:38
Act IV Part 1: Che fai, Malatestino? (Francesca, Malatestino)
Track length2:13
Act IV Part 1: Mia cara donna, voi m'attendevate? (Gianciotto, Francesca)
Track length4:14
Act IV Part 1: Torna Malatestino (Francesca, Malatestino, Gianciotto)
Track length1:26
Act IV Part 1: Era teco la tua moglie? (Malatestino, Gianciotto)
Track length3:09
Act IV Part 1: E se il fratello vede che taluno (Malatestino, Gianciotto)
Track length2:37
Act IV Part 1: Malatestino. Vieni! (Gianciotto, Malatestino)
Track length1:55
Act IV Part 2: L'ha colto il sonno. Dorme (Adonella, Biancofiore, Altichiara, Garsenda)
Track length3:41
Act IV Part 2: Oh! No, no! Non sono io! (Francesca, Garsenda, Altichiara, Biancofiore, Adonella)
Track length3:36
Act IV Part 2: O Biancofiore, piccola tu sei! (Francesca, Biancofiore)
Track length3:16
Act IV Part 2: Va, non piangere! (Francesca, Biancofiore)
Track length1:36
Act IV Part 2: E cosi vada s'e pur mio destino! (Francesca, Paolo)
Track length1:43
Act IV Part 2: Perdonami, perdonami! (Francesca, Paolo)
Track length2:38
Act IV Part 2: Ti trarro, dov' e l'oblio (Paolo, Francesca)
Track length1:11
Act IV Part 2: Francesca, apri! Francesca! (Gianciotto, Paolo, Francesca)
Track length1:26

Awards and reviews

January 2016

This new CPO set, the first, as far as I’m aware, to present the score uncut, fills an important gap, giving us a well-engineered modern account of the work...But it’s also an excellent achievement on its own terms....[the cast] sing powerfully, reliably and impressively. Christina Vasileva’s soprano is up to the challenge of Francesca...Fabrice Bollon conducts the score with a sure touch and is particularly adept at bringing out its moments of beauty.

April 2016

The title character is a marathon sing; the opera is built around her, and she is on stage for most of it. Christina Vasileva gives unstintingly throughout and shows no signs of fatigue. Her cool, voluptuous voice has a timbre that sometimes recalls Callas, sometimes Scotto, yet she is able to hit and hold the high notes that often emerged imperfectly from those two singers. She is also nicely attuned to the nuances of the text, singing with a wide variety of colour and shading.
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