Rameau: Le Temple de la Gloire
Les Agrémens & Choeur de Chambre de Namur, Guy Van Waas
Guy Van Waas leads a performance that is in all senses highly commendable, drawing finely pointed playing from his orchestra. Top vocal honours go to the haute-contre Mathias Vidal, who here...
Rameau: Le Temple de la Gloire
Les Agrémens & Choeur de Chambre de Namur, Guy Van Waas
Purchase product
Guy Van Waas leads a performance that is in all senses highly commendable, drawing finely pointed playing from his orchestra. Top vocal honours go to the haute-contre Mathias Vidal, who here...
About
2 CD + Book
Le Temple de la Gloire is the only opera with a libretto by Voltaire that was performed during the 18th century, first in Versailles and later at the Opéra in Paris. Voltaire altered the intention of his commission somewhat, which was to celebrate Louis XV’s military victory at Fontenay in 1745: he transformed the Temple of Glory into a Temple of Public Happiness.
Voltaire’s intention was to reform French opera, giving it less love affairs and more spectacle. Rameau aided him brilliantly in this and, using his large orchestra to the full, composed some of his most original and most beautiful music—even though he was to reintroduce some love interest and lyricism for the work’s Parisian revival in 1746.
Contents and tracklist
- Guy van Waas, Chœur de Chambre de Namur, Les Agrémens
- Recorded: October 2014
- Recording Venue: Opera Royal de Wallonie, Liege, Belgium
- Alain Buet, Guy van Waas, Chœur de Chambre de Namur, Les Agrémens
- Recorded: October 2014
- Recording Venue: Opera Royal de Wallonie, Liege, Belgium
- Guy van Waas, Alain Buet, Chœur de Chambre de Namur, Mathias Vidal, Les Agrémens
- Recorded: October 2014
- Recording Venue: Opera Royal de Wallonie, Liege, Belgium
- Guy van Waas, Mathias Vidal, Chœur de Chambre de Namur, Les Agrémens
- Recorded: October 2014
- Recording Venue: Opera Royal de Wallonie, Liege, Belgium
- Guy van Waas, Chœur de Chambre de Namur, Les Agrémens
- Recorded: October 2014
- Recording Venue: Opera Royal de Wallonie, Liege, Belgium
- Judith van Wanroij, Chantal Santon-Jeffery, Guy van Waas, Chœur de Chambre de Namur, Les Agrémens
- Recorded: October 2014
- Recording Venue: Opera Royal de Wallonie, Liege, Belgium
- Judith van Wanroij, Guy van Waas, Katia Velletaz, Chœur de Chambre de Namur, Les Agrémens
- Recorded: October 2014
- Recording Venue: Opera Royal de Wallonie, Liege, Belgium
- Alain Buet, Katia Velletaz, Judith van Wanroij, Guy van Waas, Chœur de Chambre de Namur, Les Agrémens
- Guy van Waas, Katia Velletaz, Chœur de Chambre de Namur, Les Agrémens
- Katia Velletaz, Mathias Vidal, Guy van Waas, Chantal Santon-Jeffery, Chœur de Chambre de Namur, Les Agrémens
- Alain Buet, Guy van Waas, Chœur de Chambre de Namur, Les Agrémens
- Judith van Wanroij, Guy van Waas, Katia Velletaz, Chœur de Chambre de Namur, Les Agrémens
- Serge Goubioud, Philippe Favette, Benoît Giaux, Renaud Tripathi, Benoît Porcherot, Chœur de Chambre de Namur, Guy van Waas, Les Agrémens
- Chantal Santon-Jeffery, Guy van Waas, Chœur de Chambre de Namur, Les Agrémens
Awards and reviews
April 2016
Guy Van Waas leads a performance that is in all senses highly commendable, drawing finely pointed playing from his orchestra. Top vocal honours go to the haute-contre Mathias Vidal, who here confirms the positive impression he made in the recent recording of Campra’s Tancrède. His projection of text and diction are exemplary, and I especially like the characterful manner in which he distinguishes between the indolent Bacchus and the noble Trajan.