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Anne Boleyn’s Songbook
Music and Passions of a Tudor Queen
Clare Wilkinson (voice), Jacob Heringman (lute) & Kirsty Whatley (harp)
Alamire, David Skinner
Awards:
-
BBC Music Magazine Awards, 2016, Choral Finalist
Alamire's sound is robust and muscular, full-bodied rather than pristine. Mezzo-soprano Clare Wilkinson sings the solo songs with ingenuous simplicity, subtly inflecting the words with period...
Anne Boleyn’s Songbook
Music and Passions of a Tudor Queen
Clare Wilkinson (voice), Jacob Heringman (lute) & Kirsty Whatley (harp)
Alamire, David Skinner
Purchase product
Awards:
-
BBC Music Magazine Awards, 2016, Choral Finalist
Alamire's sound is robust and muscular, full-bodied rather than pristine. Mezzo-soprano Clare Wilkinson sings the solo songs with ingenuous simplicity, subtly inflecting the words with period...
About
Anne Boleyn is without doubt the most famous of Henry VIII’s six wives. She was brought up for a time under the guardianship of Margaret of Austria, who was patron to some of the most famous composers in all of Europe, and then in the French court before her return to England in 1522.
It was in France where the young Anne developed her keen musical tastes, and when a collection of her favourite works began to be assembled into what is now known as the Anne Boleyn Songbook (Royal College of Music, MS 1070). The book probably remained in her possession until her execution in 1536, when she was accused of adultery with no less than five men including her own brother, George, and lutenist Mark Smeaton.
Here Alamire explores the finest works in the Songbook by the greatest composers of the early 16th century, including Compère, Brumel, Mouton and Josquin. Performances by Alamire are interspersed with French chansons and instrumental items for lute, harp and voice.
The programme concludes with a most haunting setting of ‘O Deathe rock me asleep’, not from the Songbook but possibly linked to Anne’s fate while awaiting her execution in the Tower of London.
Contents and tracklist
- Alamire
- David Skinner
- Recorded: 26-28 May 2015
- Recording Venue: Fitzalan Chapel, Arundel Castle, United Kingdom
- Clare Wilkinson, Jacob Heringman, Kirsty Whatley
- Alamire
- David Skinner
- Recorded: 26-28 May 2015
- Recording Venue: Fitzalan Chapel, Arundel Castle, United Kingdom
- Alamire
- David Skinner
- Recorded: 26-28 May 2015
- Recording Venue: Fitzalan Chapel, Arundel Castle, United Kingdom
- Jacob Heringman, Kirsty Whatley
- Alamire
- David Skinner
- Recorded: 26-28 May 2015
- Recording Venue: Fitzalan Chapel, Arundel Castle, United Kingdom
- Alamire
- David Skinner
- Recorded: 26-28 May 2015
- Recording Venue: Fitzalan Chapel, Arundel Castle, United Kingdom
- Clare Wilkinson, Kirsty Whatley
- Recorded: 26-28 May 2015
- Recording Venue: Fitzalan Chapel, Arundel Castle, United Kingdom
- Alamire
- David Skinner
- Recorded: 26-28 May 2015
- Recording Venue: Fitzalan Chapel, Arundel Castle, United Kingdom
- Alamire
- David Skinner
- Recorded: 26-28 May 2015
- Recording Venue: Fitzalan Chapel, Arundel Castle, United Kingdom
- Alamire
- David Skinner
- Recorded: 26-28 May 2015
- Recording Venue: Fitzalan Chapel, Arundel Castle, United Kingdom
- Clare Wilkinson, Kirsty Whatley, Jacob Heringman
- Recorded: 26-28 May 2015
- Recording Venue: Fitzalan Chapel, Arundel Castle, United Kingdom
- Alamire
- David Skinner
- Recorded: 26-28 May 2015
- Recording Venue: Fitzalan Chapel, Arundel Castle, United Kingdom
- Alamire
- David Skinner
- Recorded: 26-28 May 2015
- Recording Venue: Fitzalan Chapel, Arundel Castle, United Kingdom
- Alamire
- David Skinner
- Recorded: 26-28 May 2015
- Recording Venue: Fitzalan Chapel, Arundel Castle, United Kingdom
- Alamire
- David Skinner
- Recorded: 26-28 May 2015
- Recording Venue: Fitzalan Chapel, Arundel Castle, United Kingdom
- Clare Wilkinson, Kirsty Whatley, Jacob Heringman
- Recorded: 26-28 May 2015
- Recording Venue: Fitzalan Chapel, Arundel Castle, United Kingdom
Awards and reviews
December 2015
Alamire's sound is robust and muscular, full-bodied rather than pristine. Mezzo-soprano Clare Wilkinson sings the solo songs with ingenuous simplicity, subtly inflecting the words with period pronuciation…this trove never grows monotonous and, even after an hour-and-a-half of music, one is left longing to hear more.