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Special offer. Handel: Messiah
Julia Doyle (soprano), Lawrence Zazzo (counter-tenor), Steve Davislim (tenor) & Neal Davies (bass baritone)
Chor des Bayerischen Rundfunks B’Rock, Belgisches Barockorchester Gent, Peter Dijkstra
a performance that is never less than stylish and, perhaps most importantly, heartfelt...[Davies and Zazzo] opt for visceral theatricality in their delivery of text, Zazzo tiring somewhat in...
Special offer. Handel: Messiah
Julia Doyle (soprano), Lawrence Zazzo (counter-tenor), Steve Davislim (tenor) & Neal Davies (bass baritone)
Chor des Bayerischen Rundfunks B’Rock, Belgisches Barockorchester Gent, Peter Dijkstra
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a performance that is never less than stylish and, perhaps most importantly, heartfelt...[Davies and Zazzo] opt for visceral theatricality in their delivery of text, Zazzo tiring somewhat in...
About
As a steady favourite with audiences, Handel's most famous oratorio "Messiah" has met regularly with rapturous receptions ever since its premiere back in 1742! This three-part masterpiece portrays the life of the "anointed one" (the literal meaning of the Hebrew word 'Messiah'), from the Annunciation and his birth to his death on the cross and revelation, and contains a considerable number of baroque super-hits - including the world-famous 'Hallelujah Chorus.'
What makes the present complete recording into something really special is, above all, the successful interpretation with its excellent line-up of performers: Julia Doyle, Lawrence Zazzo, Steve Davislim and Neal Davies, the Chor des Bayerischen Rundfunks (recently called "a new center for historically informed performance practice") under the overall direction of Peter Dijkstra, accompanied by B'Rock, the Belgian Baroque Orchestra Ghent.
Contents and tracklist
- Julia Doyle, Steve Davislim, Neal Davies, Lawrence Zazzo
- B'Rock, Chor des Bayerischen Rundfunks
- Peter Dijkstra
- Recorded: 21-27 November 2014
- Recording Venue: Herkulessaal, Munich, Germany
Awards and reviews
January 2016
a performance that is never less than stylish and, perhaps most importantly, heartfelt...[Davies and Zazzo] opt for visceral theatricality in their delivery of text, Zazzo tiring somewhat in the process. Soprano Julia Doyle sings with sweetness and candour, decorating 'I know that my Redeemer liveth' vivaciously.