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JS Bach: Cello Suites Vol. 1

Joachim Eijlander (cello)

JS Bach: Cello Suites Vol. 1
The lightness of the Dutch cellist’s détaché bowing owes something to period performance, but it is a stylistic reference of articulation rather than something didactic. In essence, his approach...

JS Bach: Cello Suites Vol. 1

Joachim Eijlander (cello)

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The lightness of the Dutch cellist’s détaché bowing owes something to period performance, but it is a stylistic reference of articulation rather than something didactic. In essence, his approach...

About

“For me, this was a project which emerged from my deepest wish to record the Bach cello suites, and when the chance arose I grabbed it with both hands. A few days later I thought, ‘what on earth have I started’, but in the end this is the reason why I started playing the cello. I have played this music since I was ten years old and it has always been a dream to perform and record it.

The music is very strong in itself, and the individual voices form a very solid unity. You find yourself in this world and you are absorbed by it. That’s the power of this music.

Particularly in recent years I see more and more dimensions in Bach’s music that touch my soul, and for that reason I can still say that this really is the best music ever written for my instrument.”

Contents and tracklist

I. Prelude
Track length2:33
II. Allemande
Track length4:27
III. Courante
Track length2:41
IV. Sarabande
Track length2:25
V. Menuet I and II
Track length3:34
VI. Gigue
Track length1:50
I. Prelude
Track length3:48
II. Allemande
Track length4:19
III. Courante
Track length3:11
IV. Sarabande
Track length3:18
V. Bourée I and II
Track length3:48
VI. Gigue
Track length3:14
I. Prelude
Track length4:15
II. Allemande
Track length4:43
III. Courante
Track length3:47
IV. Sarabande
Track length4:29
V. Bourée I and II
Track length5:31
VI. Gigue
Track length2:55

Awards and reviews

January 2016

The lightness of the Dutch cellist’s détaché bowing owes something to period performance, but it is a stylistic reference of articulation rather than something didactic. In essence, his approach reflects a detailed but informed, instinctive response that allows for spontaneity.
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