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Bacewicz: Complete String Quartets, Vol. 2

Lutosławski Quartet

Bacewicz: Complete String Quartets, Vol. 2

Awards:

The warm, expressionist opening to the fourth quartet is instantly winning, inviting us into a sound world that is at once distinctive yet flecked with echoes of Ravel, Debussy and Shostakovich....

Bacewicz: Complete String Quartets, Vol. 2

Lutosławski Quartet

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This release includes a digital booklet

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Awards:

The warm, expressionist opening to the fourth quartet is instantly winning, inviting us into a sound world that is at once distinctive yet flecked with echoes of Ravel, Debussy and Shostakovich....

About

Grażyna Bacewicz is now emerging from the shadow of her Polish contemporaries, such as Panufnik and Lutosławski, on the international stage. She constantly sought ways to develop her style and it is this continuous line of development that is perfectly exemplified in her series of string quartets.

String Quartet No.2 was premiered in 1943 in challenging circumstances but attests to her positive spirit. The prize-winning String Quartet No.4 is one of her most performed works, perfectly balancing formal complexity, approachable themes and harmonic sophistication. The powerful and intense String Quartet No.5 is a compositional tour de force.

Bacewicz had many talents: she was a fine pianist, a professional violinist – in which capacity she recorded a number of LPs – and a composer increasingly recognised. She wrote 7 quartets and each reflect elements of expressionism, neoclassicism and serialism.

Contents and tracklist

I. Andante - Allegro moderato
Track length9:10
II. Andante
Track length5:40
III. Allegro giocoso
Track length5:41
I. Allegro ma non troppo
Track length7:32
II. Andante
Track length11:54
III. Allegro
Track length8:01
I. Moderato
Track length9:07
II. Scherzo. Giocoso
Track length3:37
III. Corale. Largo
Track length8:22
IV. Variazioni. Allegro
Track length8:44

Awards and reviews

  • BBC Music Magazine
    Chamber Choice

Classical Music December 2015

The warm, expressionist opening to the fourth quartet is instantly winning, inviting us into a sound world that is at once distinctive yet flecked with echoes of Ravel, Debussy and Shostakovich. With typically warm, clear sound, now’s the time to start looking forward to volume three
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