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A Festival of Fučík

David Hubbard (bassoon)

Royal Scottish National Orchestra, Neeme Järvi

A Festival of Fučík

Awards:

Järvi and the Royal Scottish National Orchestra deliver this excellently recorded anthology with great enthusiasm, throwing themselves into these brightly coloured scores without a hint of condescension...

A Festival of Fučík

David Hubbard (bassoon)

Royal Scottish National Orchestra, Neeme Järvi

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This release includes a digital booklet

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Awards:

Järvi and the Royal Scottish National Orchestra deliver this excellently recorded anthology with great enthusiasm, throwing themselves into these brightly coloured scores without a hint of condescension...

About

Thirty years after having recorded Dvořák’s complete Symphonies on Chandos, the Royal Scottish National Orchestra and its laureate conductor Neeme Järvi tackle another romantic Czech composer: Julius Fučík, famous for his more than 400 polkas, marches, and waltzes, some of the best of which are featured here.

Fučík studied violin in his early years, switching later to the bassoon, with a subsidiary in percussion and timpani. Playing in Austrian regiments, he gained invaluable experience of writing for military band and became a very prolific composer of marches. The most famous of these is of course Entry of the Gladiators, completed in 1899 and performed throughout the world ever since.

Full of energetic, effervescent Bohemian crossrhythms, tuneful brass melodies (often now associated with a circus atmosphere), but also more lyrical expressions, this album is a festival in itself.

Contents and tracklist

Andantino
Track length3:05
I. Tempo di valse
Track length1:47
II. Con dolcezza
Track length1:51
III.
Track length1:25
Coda
Track length2:10
Allegretto
Track length1:25
I. Tempo di valse
Track length1:48
II. Meno con delicatezza
Track length1:23
III. Meno mosso
Track length1:36
Coda
Track length1:54

Awards and reviews

  • Gramophone Magazine
    Awards Issue 2015
    Editor's Choice

December 2015

Järvi and the Royal Scottish National Orchestra deliver this excellently recorded anthology with great enthusiasm, throwing themselves into these brightly coloured scores without a hint of condescension or irony…this is a highly enjoyable reminder of the delights of Romanticism's popular side.

Awards Issue 2015

Nicely crafted and highly enjoyable music, played with all the life and fizz it requires by Järvi and his Scottish-based colleagues. What he lacks in memorable melody he makes up for with swagger, immense charm and foot-tapping brio – and, my goodness, this career bandmaster certainly knew how to orchestrate. The sound picture is a Chandos spectacular.
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