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Bach, J S: Musical Offering, BWV1079

Philippe Pierlot (bass viol), Maude Gratton (clavecin), Marc Hantaï (flute) and François Fernandez (violin)

Ricercar Consort

Bach, J S: Musical Offering, BWV1079
perfectly shaped and effortlessly balanced performance.

Bach, J S: Musical Offering, BWV1079

Philippe Pierlot (bass viol), Maude Gratton (clavecin), Marc Hantaï (flute) and François Fernandez (violin)

Ricercar Consort

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88.2 kHz, 24 bit, FLAC/ALAC/WAV

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

$10.00

This release includes a digital booklet

Stream now Hi-RES 88.2 kHz, 24 bit
perfectly shaped and effortlessly balanced performance.

About

Sooner or later the Ricercar Consort had to confront the spirit of the ricercar, explicitly advocated by Bach in his 'Musical Offering': a collection of canons, fugues and other works based on a single musical theme given to him by Frederick the Great of Prussia.

In the order chosen by the Ricercar Consort, the Trio Sonata for flute, violin, and continuo takes up a central position, separating the three-part ricercar, from its six-part counterpart, a dense, fluid work, extremely challenging for the performers. Thanks to the ordering adopted in this new recording, this 'Ricercare à 6' appears in its full grandeur, illuminated by the mosaic of the canons.

Contents and tracklist

Ricercar
Track length6:00
Canon perpetuus super Thema Regium
Track length2:28
I. Largo
Track length6:29
II. Allegro
Track length5:53
III. Andante
Track length3:25
IV. Allegro
Track length2:54
VI. Canon perpetuus
Track length2:28
Canon 1 a 2
Track length2:20
(Canon) 2 a 2 Violin : in Unisono
Track length0:50
(Canon) 3 a 2 per Motum contrarium
Track length1:11
(Canon) 4 a 2 per Augmentationem, contrario Motu
Track length2:41
(Canon) 5 a 2
Track length2:49
Fuga canonica in Epidiapente
Track length2:14
Ricercar a 6
Track length7:37
Canon a 2
Track length1:32
Canon a 4
Track length2:53

Awards and reviews

Early Music Review April 2015

perfectly shaped and effortlessly balanced performance.

May 2015

the harpsichord playing of Maude Gratton is one of the highlights of the disc. On a fine-sounding but uncredited instrument, she allows enough air into the six-part Ricercar to prevent its texture from becoming senselessly thick, and is sprightly and clear in the freer-spirited three-part Ricercar. Nor is there a shortage of wisdom elsewhere. As ever with this group everything is very particular and refined
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