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Bach, J S: Goldberg Variations, BWV988

Britten Sinfonia, Thomas Gould

Bach, J S: Goldberg Variations, BWV988

Awards:

So bold are Glenn Gould's fingerprints on the score, not just in the intricate decorations but also the colours, the phrasing, the idiosyncratic articulation, that it is more an arrangement...

Bach, J S: Goldberg Variations, BWV988

Britten Sinfonia, Thomas Gould

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 88.2 kHz, 24 bit

Awards:

So bold are Glenn Gould's fingerprints on the score, not just in the intricate decorations but also the colours, the phrasing, the idiosyncratic articulation, that it is more an arrangement...

About

The Britten Sinfonia’s Associate Leader, Thomas Gould directs the ensemble in Dmitry Sitkovetsky’s beautifully realised and heartfelt arrangement for strings of Bach’s great keyboard work, 'The Goldberg Variations'. Sitkovetsky’s arrangement (first conceived for string trio and later expanded for string orchestra), made in 1985 on the 300th anniversary of Bach’s birth, is lovingly and painstakingly done. He dedicates the string trio arrangement to Glenn Gould, and it is clear from much of the written-out ornamentation that Gould’s recordings of the Goldbergs were Sitkovetsky’s passport into the music.

The use of string instruments offers a range of expressive possibilities that a keyboard instrument does not, including the possibility of tuning notes expressively and colouring notes with vibrato but Sitkovetsky’s real triumph is to preserve the simplicity of texture and clarity of development that characterises Bach’s masterpiece, and as such is a true celebration of Bach’s vision.

Founded in 1992, the Britten Sinfonia is inspired by the ethos of Benjamin Britten through a deep commitment to bringing outstanding music to both the world’s finest concert halls but also the local community. One of the world’s most celebrated and pioneering ensembles it breaks the mould by not having a principal conductor or director, instead choosing to collaborate with a range of the finest international guest artists from across the musical spectrum, resulting in performances of rare insight and energy. Britten Sinfonia is an Associate Ensemble at the Barbican in London and has residencies across the east of England in Norwich, Brighton and Cambridge, where it is the University’s orchestra-in-association. The orchestra also performs a chamber music series at Wigmore Hall and appears regularly at major UK festivals including Aldeburgh and the BBC Proms. Their growing international profile includes regular touring including in February 2012, its North American debut at Lincoln Centre, New York.

Contents and tracklist

Aria
Track length3:33
Variation 1
Track length1:51
Variation 2
Track length1:24
Variation 3, Canone all' Unisono
Track length2:09
Variation 4
Track length1:00
Variation 5
Track length1:26
Variation 6, Canone alla seconda
Track length1:10
Variation 7, al Tempo di Giga
Track length2:18
Variation 8
Track length1:52
Variation 9, Canone alla Terza
Track length1:28
Variation 10, Fugetta
Track length1:28
Variation 11
Track length2:01
Variation 12, Canone alla Quarta
Track length1:54
Variation 13
Track length3:41
Variation 14
Track length2:06
Variation 15, Canone alla Quinta
Track length4:31
Variation 16, Ouverture
Track length2:54
Variation 17
Track length2:07
Variation 18, Canone alla sesta
Track length1:24
Variation 19
Track length1:57
Variation 20
Track length2:05
Variation 21, Canone alla settima
Track length2:54
Variation 22
Track length1:15
Variation 23
Track length1:53
Variation 24, Canone all' ottava
Track length2:33
Variation 25, Adagio
Track length5:50
Variation 26
Track length2:02
Variation 27, Canone alla nona
Track length1:58
Variation 28
Track length2:10
Variation 29
Track length2:11
Variation 30, Quodlibet
Track length1:38
Aria
Track length3:51

Awards and reviews

  • Gramophone Magazine
    April 2015
    Editor's Choice

April 2015

So bold are Glenn Gould's fingerprints on the score, not just in the intricate decorations but also the colours, the phrasing, the idiosyncratic articulation, that it is more an arrangement of his interpretation than it is an arrangement of the work itself...the Britten Sinfonia navigates the transcription with considerable panache.

April 2015

a patiently unfolding set of considered perspectives, taken to the edge in the delicacy of articulation and luminosity of counterpoint and by an inexhaustibly ambitious fleet-of-foot ensemble celebrating Bach's mesmerising au courant figurations...Stellar Bach-playing.

April 2015

Without a weak moment in the entire work and in stunningly good SACD sound, this is a Goldberg Variations to acquire and hang onto for dear life, for it is indeed life-enhancing

12th April 2015

It is crisp, clear and buoyant with ornamentation deftly executed and rhythms kept on their toes. The playing recognises that this is not just a keyboard piece played on strings but also that Sitkovetsky idiomatically drew on the timbres and textures of strings to bring a new range of colour to the music.

21st March 2015

[Sitkovetsky's arrangement] opens up to the counterpoints within the music, as well as allowing the greater variation of colour and dynamics possible on strings...Led by Thomas Gould the Britten Sinfonia play with sinuous beauty and virtuosic clarity, with no clattering continuo instrument clogging the textures.
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