Bach, J S: Goldberg Variations, BWV988
Britten Sinfonia, Thomas Gould
Awards:
-
Gramophone Magazine, April 2015, Editor's Choice
So bold are Glenn Gould's fingerprints on the score, not just in the intricate decorations but also the colours, the phrasing, the idiosyncratic articulation, that it is more an arrangement...
Bach, J S: Goldberg Variations, BWV988
Britten Sinfonia, Thomas Gould
Purchase product
Awards:
-
Gramophone Magazine, April 2015, Editor's Choice
So bold are Glenn Gould's fingerprints on the score, not just in the intricate decorations but also the colours, the phrasing, the idiosyncratic articulation, that it is more an arrangement...
About
The Britten Sinfonia’s Associate Leader, Thomas Gould directs the ensemble in Dmitry Sitkovetsky’s beautifully realised and heartfelt arrangement for strings of Bach’s great keyboard work, 'The Goldberg Variations'. Sitkovetsky’s arrangement (first conceived for string trio and later expanded for string orchestra), made in 1985 on the 300th anniversary of Bach’s birth, is lovingly and painstakingly done. He dedicates the string trio arrangement to Glenn Gould, and it is clear from much of the written-out ornamentation that Gould’s recordings of the Goldbergs were Sitkovetsky’s passport into the music.
The use of string instruments offers a range of expressive possibilities that a keyboard instrument does not, including the possibility of tuning notes expressively and colouring notes with vibrato but Sitkovetsky’s real triumph is to preserve the simplicity of texture and clarity of development that characterises Bach’s masterpiece, and as such is a true celebration of Bach’s vision.
Founded in 1992, the Britten Sinfonia is inspired by the ethos of Benjamin Britten through a deep commitment to bringing outstanding music to both the world’s finest concert halls but also the local community. One of the world’s most celebrated and pioneering ensembles it breaks the mould by not having a principal conductor or director, instead choosing to collaborate with a range of the finest international guest artists from across the musical spectrum, resulting in performances of rare insight and energy. Britten Sinfonia is an Associate Ensemble at the Barbican in London and has residencies across the east of England in Norwich, Brighton and Cambridge, where it is the University’s orchestra-in-association. The orchestra also performs a chamber music series at Wigmore Hall and appears regularly at major UK festivals including Aldeburgh and the BBC Proms. Their growing international profile includes regular touring including in February 2012, its North American debut at Lincoln Centre, New York.
Contents and tracklist
Awards and reviews
-
Gramophone MagazineApril 2015Editor's Choice
April 2015
So bold are Glenn Gould's fingerprints on the score, not just in the intricate decorations but also the colours, the phrasing, the idiosyncratic articulation, that it is more an arrangement of his interpretation than it is an arrangement of the work itself...the Britten Sinfonia navigates the transcription with considerable panache.
April 2015
a patiently unfolding set of considered perspectives, taken to the edge in the delicacy of articulation and luminosity of counterpoint and by an inexhaustibly ambitious fleet-of-foot ensemble celebrating Bach's mesmerising au courant figurations...Stellar Bach-playing.
April 2015
Without a weak moment in the entire work and in stunningly good SACD sound, this is a Goldberg Variations to acquire and hang onto for dear life, for it is indeed life-enhancing
12th April 2015
It is crisp, clear and buoyant with ornamentation deftly executed and rhythms kept on their toes. The playing recognises that this is not just a keyboard piece played on strings but also that Sitkovetsky idiomatically drew on the timbres and textures of strings to bring a new range of colour to the music.
21st March 2015
[Sitkovetsky's arrangement] opens up to the counterpoints within the music, as well as allowing the greater variation of colour and dynamics possible on strings...Led by Thomas Gould the Britten Sinfonia play with sinuous beauty and virtuosic clarity, with no clattering continuo instrument clogging the textures.