Tritschler proves an expert guide to all this material. His linguistic and vocal skills combine to splendid effect...Tritschler's technical and expressive skills combine throughout to bring out the best in the words as well as the music.

Tritschler is communicative in the English-language songs and his imaginative reach extends to largely forgotten composers.

This year that begins our centenary commemorations of the First World War has seen a few worthwhile musical contributions to that story, but this is probably the best that has come my way…the performances…are moving and poignant throughout. Tritschler is an extremely humane guide through this often tragic scene…It is of interest far beyond the historical.

The gifted tenor Robin Tristchler’s singing is nuanced sensitively, while the pianist Malcolm Martineau is, as always, an astute partner.

there are many gems, both moving and lyrical. The Irish tenor Robin Tritschler proves yet again that he is one of the most sensitive and musical of today’s younger lieder interpreters, his plangent timbre matched to a fine sense of word and mood. Malcolm Martineau is, as ever, his superb accompanist.

Armed with the sensitive Malcolm Martineau as his accompanist, [Tritschler] throws himself into his thoughtful recital...with winning sincerity and dedication...Tritschler’s voice has an unusual kink: depending on his register or volume he can seem like two different singers, one with a shiny edge to his tone, the other roundly mellow. It’s initially disconcerting, but he’s worth attention in either mode.