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Stille Nacht

Christmas Choir Music

Regina Jacobi (mezzo soprano) & Klaus Stoll (double bass)

RIAS Kammerchor, Uwe Gronostay

Stille Nacht
well worth investigating...each piece flows well in context...I found this a perfect Christmas record, of no little musical interest; the concluding Stille Nacht is most affecting.

Stille Nacht

Christmas Choir Music

Regina Jacobi (mezzo soprano) & Klaus Stoll (double bass)

RIAS Kammerchor, Uwe Gronostay

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This release includes a digital booklet

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well worth investigating...each piece flows well in context...I found this a perfect Christmas record, of no little musical interest; the concluding Stille Nacht is most affecting.

About

The Christmas carols on this CD form a dramaturgical cycle, beginning with the mysterious night into which falls the light of God; there follow narrative and devotional songs as well as hymns of praise leading to the birth of Christ, then back into the night that also symbolically bears within itself the breaking of the new day. They form an arc extending from the music of the Renaissance and Baroque to romantic choral works, settings of lieder and compositions of the 20th century.

For over 40 years, Uwe Gronostay [1939-2008] strongly influenced German and European choral culture as a conductor, pedagogue and organiser in equal measure in the professional choral scene, with the high-achievement ensembles amongst amateur choirs, in education at academies of music and in international networking. He would have turned 75 on 25 October 2014. To mark this occasion, audite is releasing the present CD with Christmas carols recorded by Gronostay for the RIAS Berlin during the 14 years of his period as artistic director of the RIAS Chamber Choir between 1972 and 1986. Alongside several well-known pieces, there are also lesser-known ones that will offer interested listeners a welcome expansion of the Christmas repertoire. At the same time, the CD documents Gronostay‘s view that all ambitious choral work should begin with the stylistic richness and sonic challenges of the a-cappella literature, progressively working from short forms to major works.

Contents and tracklist

Awards and reviews

December 2014

well worth investigating...each piece flows well in context...I found this a perfect Christmas record, of no little musical interest; the concluding Stille Nacht is most affecting.

15th December 2014

The choir has a relatively heavy sound for a chamber choir, rich and with a chocolaty luxury to the sound, remarkably focused around the centre, but still retaining remarkable flexibility for all that. Listening to them is a very pleasant experience.

classicalsource.com December 2014

With Holliger, clarity never seems to be a problem. There is a freshness about his interpretation; the bright, athletic approach seems to accord with Schumann’s later intentions … There have been a number of excellent recent recordings of the Schumann Symphonies, providing different but no less valid views of the works: in the case of the 1851 version of Symphony No.4, Holliger provides something special.
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