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Charlotte Bray: At The Speed Of Stillness
Lucy Schaufer (mezzo-soprano), Alexandra Wood (violin), Claire Booth (soprano), Andrew Matthews-Owen (piano), Huw Watkins (piano)
Aldeburgh World Orchestra & Birmingham Contemporary Music Group, Sir Mark Elder & Oliver Knussen
These six works by a new British composer (b1982) attest a sharp ear and a vigorous imagination...Inspired by the image of hidden dynamism Bray finds in Sizewell power station and its radial...
Charlotte Bray: At The Speed Of Stillness
Lucy Schaufer (mezzo-soprano), Alexandra Wood (violin), Claire Booth (soprano), Andrew Matthews-Owen (piano), Huw Watkins (piano)
Aldeburgh World Orchestra & Birmingham Contemporary Music Group, Sir Mark Elder & Oliver Knussen
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These six works by a new British composer (b1982) attest a sharp ear and a vigorous imagination...Inspired by the image of hidden dynamism Bray finds in Sizewell power station and its radial...
About
Debut Discs is a 4-year series in collaboration with BA (Hons) Graphic Design students at Central Saint Martins College of Arts and Design who have designed the cover artwork for the series.
Debut Discs has the ambassadorial support of Sir Peter Maxwell Davies.
The series so far features the composers Huw Watkins, Dai Fujikura, Sam Hayden, Richard Causton, Joseph Phibbs, Larry Goves, Ben Foskett and Helen Grime.
Born in the UK in 1982, Charlotte Bray studied with Joe Cutler and graduated from Birmingham Conservatoire with First Class Honours. Then, with Mark Anthony Turnage, she completed her Masters at the Royal College of Music in 2008 gaining a Distinction. She studied at Tanglewood Music Centre in 2008, and in 2011 was made an Honorary Member of Birmingham Conservatoire. She has won numerous prizes, including the RPS composition prize in 2010.
During Bray’s residency with Birmingham Contemporary Music Group (2009/10), Alexandra Wood premiered her violin concerto Caught in Treetops under Oliver Knussen. The concerto appeared also in Aldeburgh Festival’s closing concert in 2011.
Bayan Northcott writes … Charlotte Bray was 21 when she took to composing in earnest. Yet in scarcely more than a decade, she has built up a substantial catalogue of works in almost all the standard genres; built up, too, a professional reputation of a composer who works hard and always delivers. Not least, she has refined a compositional style and practice for herself, neither explicitly tonal nor atonal, but always cogent in its harmonic unfolding – token of an independent spirit from which much may be expected.
Contents and tracklist
- Aldeburgh World Orchestra
- Mark Elder
- Recorded: 18 July 2012
- Recording Venue: Snape Maltings Concert Hall, Snape, Suffolk
- Lucy Schaufer
- Birmingham Contemporary Music Group
- Recorded: 27-28 February 2014
- Recording Venue: St Silas Church, Kentish Town, London
- Huw Watkins
- Recorded: 27-28 February 2014
- Recording Venue: St Silas Church, Kentish Town, London
- Huw Watkins
- Birmingham Contemporary Music Group
- Recorded: 27-28 February 2014
- Recording Venue: St Silas Church, Kentish Town, London
- Claire Booth, Andrew Matthews-Owen
- Recorded: 27-28 February 2014
- Recording Venue: St Silas Church, Kentish Town, London
- Alexandra Wood
- Birmingham Contemporary Music Group
- Oliver Knussen
- Recorded: 26 June 2011
- Recording Venue: Snape Maltings Concert Hall, Snape, Suffolk
Awards and reviews
19th October 2014
These six works by a new British composer (b1982) attest a sharp ear and a vigorous imagination...Inspired by the image of hidden dynamism Bray finds in Sizewell power station and its radial treetop power lines, the music’s inventiveness and textural control are unmistakeable.
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