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Charlotte Bray: At The Speed Of Stillness

Lucy Schaufer (mezzo-soprano), Alexandra Wood (violin), Claire Booth (soprano), Andrew Matthews-Owen (piano), Huw Watkins (piano)

Aldeburgh World Orchestra & Birmingham Contemporary Music Group, Sir Mark Elder & Oliver Knussen

Charlotte Bray: At The Speed Of Stillness
These six works by a new British composer (b1982) attest a sharp ear and a vigorous imagination...Inspired by the image of hidden dynamism Bray finds in Sizewell power station and its radial...

Charlotte Bray: At The Speed Of Stillness

Lucy Schaufer (mezzo-soprano), Alexandra Wood (violin), Claire Booth (soprano), Andrew Matthews-Owen (piano), Huw Watkins (piano)

Aldeburgh World Orchestra & Birmingham Contemporary Music Group, Sir Mark Elder & Oliver Knussen

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These six works by a new British composer (b1982) attest a sharp ear and a vigorous imagination...Inspired by the image of hidden dynamism Bray finds in Sizewell power station and its radial...

About

Debut Discs is a 4-year series in collaboration with BA (Hons) Graphic Design students at Central Saint Martins College of Arts and Design who have designed the cover artwork for the series.

Debut Discs has the ambassadorial support of Sir Peter Maxwell Davies.

The series so far features the composers Huw Watkins, Dai Fujikura, Sam Hayden, Richard Causton, Joseph Phibbs, Larry Goves, Ben Foskett and Helen Grime.

Born in the UK in 1982, Charlotte Bray studied with Joe Cutler and graduated from Birmingham Conservatoire with First Class Honours. Then, with Mark Anthony Turnage, she completed her Masters at the Royal College of Music in 2008 gaining a Distinction. She studied at Tanglewood Music Centre in 2008, and in 2011 was made an Honorary Member of Birmingham Conservatoire. She has won numerous prizes, including the RPS composition prize in 2010.

During Bray’s residency with Birmingham Contemporary Music Group (2009/10), Alexandra Wood premiered her violin concerto Caught in Treetops under Oliver Knussen. The concerto appeared also in Aldeburgh Festival’s closing concert in 2011.

Bayan Northcott writes … Charlotte Bray was 21 when she took to composing in earnest. Yet in scarcely more than a decade, she has built up a substantial catalogue of works in almost all the standard genres; built up, too, a professional reputation of a composer who works hard and always delivers. Not least, she has refined a compositional style and practice for herself, neither explicitly tonal nor atonal, but always cogent in its harmonic unfolding – token of an independent spirit from which much may be expected.

Contents and tracklist

No. 1, Moonshot
Track length5:26
No. 2, Loose Ends
Track length2:54
No. 3, Occupations
Track length2:33
No. 4, Still Standing
Track length2:00
No. 5, Collusion
Track length3:32
No. 7, While the Bell Tolls…
Track length2:26
No. 8, Farewell
Track length2:23
No. 9, Old Tales
Track length1:20
Pt. 1 (Live)
Track length10:46
Pt. 2 (Live)
Track length6:03

Awards and reviews

19th October 2014

These six works by a new British composer (b1982) attest a sharp ear and a vigorous imagination...Inspired by the image of hidden dynamism Bray finds in Sizewell power station and its radial treetop power lines, the music’s inventiveness and textural control are unmistakeable.
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