Cantar

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Release Date: 27th May 2016
Catalogue No: 4791068
Label: Deutsche Grammophon
Length: 67 minutes

Handel: Solomon HWV 67 / Act 3

Work length3:05

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Pacho Flores (trumpet), Sabine Erdmann (harpsichord)
Konzerthausorchester Berlin
Christian Vásquez
Recorded: 2013-03-01
Recording Venue: Konzerthaus Berlin

Sinfonia "The Arrival Of The Queen Of Sheba"

Track length3:05

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Johann Baptist Georg Neruda, Pacho Flores: Concerto For Trumpet And Strings In E Flat

Work length15:41

$3.30

$4.50

$6.15

Pacho Flores (french horn), Sabine Erdmann (harpsichord), Pacho Flores (cadenzor)
Konzerthausorchester Berlin
Christian Vásquez
Recorded: 2013-03-01
Recording Venue: Konzerthaus Berlin

1. Allegro

Track length5:26

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2. Largo

Track length5:28

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3. Vivace

Track length4:47

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Bach, J S: Chorale Prelude BWV659 'Nun komm, der Heiden Heiland'

Work length4:32

$1.10

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Pacho Flores (trumpet), Jörg Strodthoff (organ)
Recorded: 2013-03-01
Recording Venue: Konzerthaus Berlin

Cimarosa: Oboe Concerto In C - Arranged By Arthur Benjamin

Work length10:36

$4.40

$6.00

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Pacho Flores (piccolo trumpet), Sabine Erdmann (harpsichord)
Konzerthausorchester Berlin
Christian Vásquez
Recorded: 2013-03-01
Recording Venue: Konzerthaus Berlin

1. Introduzione - attacca:

Track length2:52

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2. Allegro

Track length2:44

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3. Siciliana

Track length2:44

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4. Allegro giusto

Track length2:16

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Excerpt, Bach, J S: Mass in B minor, BWV232

Work length4:57

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Pacho Flores (flugelhorn), Sabine Erdmann (harpsichord)
Konzerthausorchester Berlin
Christian Vásquez
Recorded: 2013-03-01
Recording Venue: Konzerthaus Berlin

Agnus Dei

Track length4:57

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Oscher: Soledad

Work length4:33

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Pacho Flores (trumpet), Sabine Erdmann (harpsichord)
Konzerthausorchester Berlin
Christian Vásquez
Recorded: 2013-03-01
Recording Venue: Konzerthaus Berlin

Bach, J S: Das Wohltemperierte Klavier: Book 2, BWV 870-893 - Arranged By Efrain Oscher

Work length3:43

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Pacho Flores (trumpet)
Konzerthausorchester Berlin
Christian Vásquez
Recorded: 2013-03-01
Recording Venue: Konzerthaus Berlin

Prelude in F Minor, BWV 881

Track length3:43

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Daquin: Premier livre de pieces de clavecin (1735) - Arranged By Efrain Oscher

Work length1:44

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Pacho Flores (trumpet), Sabine Erdmann (harpsichord)
Konzerthausorchester Berlin
Christian Vásquez
Recorded: 2013-03-01
Recording Venue: Konzerthaus Berlin

Le coucou

Track length1:44

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Murcia: Tarantella II - Arranged By Efrain Oscher

Work length3:07

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Pacho Flores (trumpet), Ralf Benesch (guitar), Sabine Erdmann (harpsichord)
Konzerthausorchester Berlin
Christian Vásquez
Recorded: 2013-03-01
Recording Venue: Konzerthaus Berlin

Giuseppe Tartini, Pacho Flores: Concerto For Trumpet And Continuo - Arranged By Ivan Jevtic

Work length9:58

$3.30

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Pacho Flores (piccolo trumpet), Sabine Erdmann (harpsichord), Pacho Flores (cadenzor)
Konzerthausorchester Berlin
Christian Vásquez
Recorded: 2013-03-01
Recording Venue: Konzerthaus Berlin

1. Grandioso

Track length4:03

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2. Andante

Track length3:02

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3. Allegro grazioso

Track length2:53

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Bimbo: Soy tu ayer - Arranged By Efrain Oscher

Work length4:35

$1.10

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Pacho Flores (flugelhorn), Ralf Benesch (guitar)
Konzerthausorchester Berlin
Christian Vásquez
Recorded: 2013-03-01
Recording Venue: Konzerthaus Berlin

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“We chose the repertoire with the utmost care”: the full range of Flores’s talents are on display here, in a selection of pieces originally written not for trumpet, but for voice, piano, oboe, violin, organ, corno da caccia or guitar, and whose arrangements reveal the far-ranging vision of a concert soloist. Since the corno da caccia is so rarely played these days, the Neruda Concerto is usually performed on the trumpet, because it is written in a higher register than that of the modern horn. This is the first recording to use the corno da caccia.

While the main focus here is on the Baroque, Flores, the Konzerthausorchester Berlin and conductor Christian Vásquez have also included a couple of contemporary works, spicing up European formality with a dash of Latin verve. “We’ve chosen a Baroque tango by Efraín Oscher, Soledad (Solitude), and Álvaro Paiva’s Soy tu ayer (I’m your yesterday), which I recorded on the first album I made in Venezuela, the idea being to choose music that’s full of vitality.”

“The Tartini piece is a violin concerto popularised by Maurice André, and I add my own very personal ornaments to it using an A piccolo trumpet. The Cimarosa, originally written for oboe, has a brighter, more resonant tone, which I reflect by using a B flat piccolo trumpet. In both cases, though, you still hear the original character of the concerto coming through.” Plenty of thought has gone into the different geographical flavours of the Baroque too: we have works from England (Handel), Italy (Cimarosa and Tartini), Germany (Bach and Neruda) and France (Daquin). “We were missing something from the Spanish Baroque, given that I’m Latin American and have that historical link back to Spain. Efraín Oscher, who arranged the Bach Prelude, BWV 881, and Daquin’s Le Coucou (The Cuckoo), also wrote the arrangement of the Tarantella, a guitar work by Santiago de Murcia which was discovered in Mexico and for which I chose a powerful F trumpet.” Nine instruments, five varieties of the Baroque – Flores’s DG debut really is a stunning achievement!

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Cantar

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