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Bartók: Kossuth, 2 Portraits & Orchestral Suite No. 1

Buffalo Philharmonic Orchestra, JoAnn Falletta

Bartók: Kossuth, 2 Portraits & Orchestral Suite No. 1
JoAnn Falletta and the Buffalo Philharmonic rather miss the savagery of the latter [Portrait], but they're on fine form elsewhere, and the disc provides invaluable insight into Bartok's formative...

Bartók: Kossuth, 2 Portraits & Orchestral Suite No. 1

Buffalo Philharmonic Orchestra, JoAnn Falletta

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JoAnn Falletta and the Buffalo Philharmonic rather miss the savagery of the latter [Portrait], but they're on fine form elsewhere, and the disc provides invaluable insight into Bartok's formative...

About

All three of the works in this programme reveal a young composer on the threshold of greatness, serving as his passport to the vast new world of orchestral music prevailing at the beginning of the 20th century. Inspired by the tone poems of Richard Strauss, Bartók’s Kossuth dramatically commemorates the struggle for Hungarian independence in 1848 with an alluring and provocative orchestration. The Two Portraits set moods of love and painful heartbreak into stark contrast, while the First Suite is a showcase of symphonic effects which caused a sensation in Vienna at its première in 1905.

Contents and tracklist

No. 1, Egy ideális. Andante
Track length10:06
2 Portraits, Op. 5 Sz. 37: No. 2, Egy torz. Presto
Track length2:31
I. Allegro vivace
Track length7:20
II. Poco adagio
Track length8:23
III. Presto
Track length7:34
IV. Moderato
Track length6:12
V. Molto vivace
Track length7:23

Awards and reviews

January 2015

JoAnn Falletta and the Buffalo Philharmonic rather miss the savagery of the latter [Portrait], but they're on fine form elsewhere, and the disc provides invaluable insight into Bartok's formative years.

November 2014

Falletta's performances of these early Bartok show-stoppers really do raise the roof. Making the First Suite sound compelling is no mean feat, and yet, right from the ebullient opening Allegro vivace, the Buffalo Philharmonic sound fully on course for the challenge.

4th September 2014

The Buffalo Philharmonic performances under JoAnn Falletta don't stint on what this music needs: energy and colour.
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