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Mercadante: I Briganti

Bruno Praticò, Vittorio Prato (bass), Maxim Mironov, Jesús Ayllón (tenor), Petya Ivanova (soprano), Rosita Fiocco (mezzo-soprano), Atanas Mladenov (baritone)

Camerata Bach Choir, Poznań & Virtuosi Brunensis, Antonino Fogliani

Mercadante: I Briganti
Antonino Fogliani, conducting a Czech orchestra and Polish choir, must take credit for the spirit and style of performance.

Mercadante: I Briganti

Bruno Praticò, Vittorio Prato (bass), Maxim Mironov, Jesús Ayllón (tenor), Petya Ivanova (soprano), Rosita Fiocco (mezzo-soprano), Atanas Mladenov (baritone)

Camerata Bach Choir, Poznań & Virtuosi Brunensis, Antonino Fogliani

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Antonino Fogliani, conducting a Czech orchestra and Polish choir, must take credit for the spirit and style of performance.

About

Libretto by Jacopo Crescini

A highly regarded composer in his day and considered the equal of Rossini, Bellini and Donizetti, Saverio Mercadante pioneered the transformation of bel canto opera into real music drama. He wrote the operatic tragedy I Briganti (The Brigands) not only to prove himself to the Parisian public but as a direct challenge to Bellini’s I puritani, premièred the previous year. Mercadante’s individual style of canto fiorito and distinctive theatricality demonstrate that opera need not be a mere succession of virtuoso vocal arias, and it paved the way for Verdi’s later dramas. Prepared from a new critical edition, this production was described as ‘outstanding’ by The New York Times.

Contents and tracklist

Introduzione. Le gramaglie, i funebri doppieri (Chorus)
Track length3:13
Perche non posso (Corrado)
Track length2:59
Ove a me rivolgi un guardo (Corrado, Chorus)
Track length3:00
Per lei che mi sprezza (Corrado, Chorus)
Track length2:57
Come un etereo spirto dileguasi (Chorus)
Track length2:19
Cavatina. Tu piangi? (Teresa, Amelia, Chorus)
Track length5:49
Ah! Tu m'ami (Amelia, Chorus)
Track length3:44
Ite, vani ornamenti (Amelia, Corrado)
Track length4:35
Se per te non ha diletto (Corrado, Amelia)
Track length3:46
Duetto. Perche di pianti (Amelia, Corrado)
Track length2:43
Finale. Scena. Prode garzone (Ermano, Rollero)
Track length4:56
Cavatina. Questi due verdi salici (Ermano)
Track length4:23
Romanza. Qual soave armonia! (Ermano, Amelia, Rollero)
Track length1:59
Coro religioso. Tutto quaggiu si solve (Amelia, Chorus, Ermano)
Track length2:36
Come turbar poss'io (Ermano, Amelia)
Track length4:26
Sempre ripete mi / No, no, non crederlo (Ermano, Amelia)
Track length2:40
Erman (Rollero, Amelia, Ermano, Corrado, Teresa)
Track length4:16
Incerto, che penso? (Ermano, Corrado, Amelia, Chorus, Rollero, Teresa)
Track length3:42
Scopri alfin il tuo disegno (Chorus, Tutti)
Track length3:44
Coro e Tempesta. Accorrete (Chorus)
Track length3:30
Scena ed Orgia. Giunge Ermano (Chorus, Ermano)
Track length4:21
Scena e Preghiera. Ermano, ove sei tu? (Ermano)
Track length4:21
Qual gemito! (Ermano, Conte, Solitario)
Track length3:17
Chi mi sveglia dal mio sepolcro? (Conte, Ermano)
Track length2:03
Duetto. Deh, risparmia ch'io racconti (Conte, Ermanno)
Track length4:26
Io si, che un figlio avea (Conte, Ermanno)
Track length4:19
Tu lo conosci? (Conte, Ermanno)
Track length3:05
Stretta finale. All'armi! (Chorus, Conte, Ermano)
Track length5:35
Coro. Notte, il silenzio doppia (Chorus)
Track length3:12
Tutto riposa (Corrado)
Track length2:13
Ah! No. Vivi e spargi un fiore (Corrado, Chorus)
Track length5:09
Preghiera. Dove corre quell'empio? (Amelia)
Track length1:38
Ciel! Del mio prode Ermano (Amelia)
Track length3:17
Amelia, esulta (Chorus, Amelia)
Track length5:25
Finale. Giunge alcun (Amelia, Chorus, Conte, Tutti, Ermano)
Track length5:16
Cosi serbi il giuramento (Conte, Ermano, Amelia)
Track length1:53
Sul mio fronte (Ermano, Amelia, Conte, Chorus)
Track length2:58
Deh! Non scemar con lagrime (Ermano, Amelia, Conte, Chorus)
Track length3:46

Awards and reviews

29th June 2014

Antonino Fogliani, conducting a Czech orchestra and Polish choir, must take credit for the spirit and style of performance.

October 2014

This 2012 Wildbad theatre revival has the Russian tenor Maxim Miranov in the Rubini role, and very fine he is too...it is the allure of Mironov's singing which suggests how the 'Puritani quartet' must have helped lift Mercadante's patchily written piece.

10th July 2014

Fogliani conducts a Czech chamber orchestra in a brisk, idiomatic interpretation, and there is some admirably no-nonsense singing from a committed cast led by Bruno Praticò, Maxim Mironov and Petya Ivanova. This is recommended to all lovers of Italian opera at its gutsiest.
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