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Brahms: The Symphonies
Jewel-case version
Gewandhausorchester, Riccardo Chailly
Awards:
-
Gramophone Magazine, October 2013, Disc of the Month
-
BBC Music Magazine Awards, 2014, Orchestral Finalist
-
Gramophone Awards, 2014, Recording of the Year
-
Building a Library, April 2018, Also recommended
Dynamic and dramatic readings, faithful to Brahms's intentions. Powerfully conceived, they are rhythmically alert, without an ounce of undue sentiment and never for an instant losing sight of...
Brahms: The Symphonies
Jewel-case version
Gewandhausorchester, Riccardo Chailly
Purchase product
Awards:
-
Gramophone Magazine, October 2013, Disc of the Month
-
BBC Music Magazine Awards, 2014, Orchestral Finalist
-
Gramophone Awards, 2014, Recording of the Year
-
Building a Library, April 2018, Also recommended
Dynamic and dramatic readings, faithful to Brahms's intentions. Powerfully conceived, they are rhythmically alert, without an ounce of undue sentiment and never for an instant losing sight of...
About
Following the 2011 landmark Beethoven cycle, Riccardo Chailly returns with a recording of the complete Brahms symphonies and orchestral works including the overtures and Haydn Variations.
Rarities include world premiere recordings of two piano intermezzi orchestrated by Paul Klengel (brother of the Gewandhaus’ long-standing principal cellist Julius Klengel); the 9 Liebeslieder waltzes; the original first performance version of the Andante of Symphony No. 1 and the even rarer revised opening of the Fourth Symphony.
Chailly has radically rethought his approach to these works, re-examining the scores and returning to the recorded interpretations of a generation of conductors alive during Brahms’ lifetime, principally Felix Weingartner and one of his Gewandhaus predecessors Bruno Walter.
Contents and tracklist
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2012-10-12
- Recording Venue: Gewandhaus, Leipzig
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2012-05-05
- Recording Venue: Gewandhaus, Leipzig
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2012-10-19
- Recording Venue: Gewandhaus, Leipzig
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2013-05-10
- Recording Venue: Gewandhaus, Leipzig
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2012-05-05
- Recording Venue: Gewandhaus, Leipzig
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2013-03-09
- Recording Venue: Gewandhaus, Leipzig
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2013-03-09
- Recording Venue: Gewandhaus, Leipzig
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2013-03-08
- Recording Venue: Gewandhaus, Leipzig
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2013-03-09
- Recording Venue: Gewandhaus, Leipzig
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2013-03-09
- Recording Venue: Gewandhaus, Leipzig
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2013-03-09
- Recording Venue: Gewandhaus, Leipzig
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2012-10-20
- Recording Venue: Gewandhaus, Leipzig
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2012-05-05
- Recording Venue: Gewandhaus, Leipzig
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2012-10-19
- Recording Venue: Gewandhaus, Leipzig
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2012-10-19
- Recording Venue: Gewandhaus, Leipzig
- Gewandhausorchester Leipzig
- Riccardo Chailly
- Recorded: 2012-10-19
- Recording Venue: Gewandhaus, Leipzig
Spotlight on this release
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Awards and reviews
-
Gramophone MagazineOctober 2013Disc of the Month
December 2013
Dynamic and dramatic readings, faithful to Brahms's intentions. Powerfully conceived, they are rhythmically alert, without an ounce of undue sentiment and never for an instant losing sight of the scores' rock-solid architecture. The Gewandhaus players reward him with magnificent playing, alert and sumptuously rich in sound.
26th October 2013
There’s not a whiff of Germanic stodginess, but nor do you feel the music is being unnaturally pushed. Chailly’s tempi, faster than 20th century tradition and always consistent within themselves, bring out the “classical” in Brahms, and the Leipzigers’ performances – wonderfully lithe as well as meltingly lyrical – are a tonic.
14th October 2013
The overriding impression I got from these performances was of Chailly wanting to blow away the cobwebs, to set aside tradition and to come up with something that sounded different.
17th November 2013
Chailly achieves a refreshing clarity and vividness...Sometimes, I feel, clarity is achieved at the cost of lightening the bass too much. All in all, though, these are richly stimulating performances.