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Brahms: The Symphonies

Jewel-case version

Gewandhausorchester, Riccardo Chailly

Brahms: The Symphonies

Awards:

Dynamic and dramatic readings, faithful to Brahms's intentions. Powerfully conceived, they are rhythmically alert, without an ounce of undue sentiment and never for an instant losing sight of...

Brahms: The Symphonies

Jewel-case version

Gewandhausorchester, Riccardo Chailly

Purchase product

96 kHz, 24 bit, FLAC/ALAC/WAV

$32.00

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$23.25

320 kbps, MP3

$16.75

This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

Dynamic and dramatic readings, faithful to Brahms's intentions. Powerfully conceived, they are rhythmically alert, without an ounce of undue sentiment and never for an instant losing sight of...

About

Following the 2011 landmark Beethoven cycle, Riccardo Chailly returns with a recording of the complete Brahms symphonies and orchestral works including the overtures and Haydn Variations.

Rarities include world premiere recordings of two piano intermezzi orchestrated by Paul Klengel (brother of the Gewandhaus’ long-standing principal cellist Julius Klengel); the 9 Liebeslieder waltzes; the original first performance version of the Andante of Symphony No. 1 and the even rarer revised opening of the Fourth Symphony.

Chailly has radically rethought his approach to these works, re-examining the scores and returning to the recorded interpretations of a generation of conductors alive during Brahms’ lifetime, principally Felix Weingartner and one of his Gewandhaus predecessors Bruno Walter.

Contents and tracklist

1. Un poco sostenuto - Allegro - Meno allegro
Track length15:26
2. Andante sostenuto
Track length8:21
3. Un poco allegretto e grazioso
Track length4:24
4. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro
Track length15:40
1. Allegro con brio - Un poco sostenuto - Tempo I
Track length11:43
2. Andante
Track length8:16
3. Poco allegretto
Track length6:06
4. Allegro
Track length8:15
1. Allegro non troppo
Track length17:48
2. Adagio non troppo - L'istesso tempo, ma grazioso
Track length8:26
3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai
Track length5:06
4. Allegro con spirito
Track length8:52
1. Allegro non troppo
Track length11:56
2. Andante moderato
Track length10:42
3. Allegro giocoso - Poco meno presto - Tempo I
Track length5:54
4. Allegro energico e passionato - Più allegro
Track length9:23
1. Alternative opening
Track length0:46
No.4 - Intermezzo in E major
Track length4:41
No.1 - Intermezzo in E flat major
Track length4:49
Theme: "Chorale St. Antoni"
Track length1:54
Variation I: Poco più animato
Track length1:13
Variation II: Più vivace
Track length0:53
Variation III: Con moto
Track length1:39
Variation IV: Andante con moto
Track length1:55
Variation V: Vivace
Track length0:50
Variation VI: Vivace
Track length1:04
Variation VII: Grazioso
Track length2:30
Variation VIII: Presto non troppo
Track length0:59
Finale: Andante
Track length3:45
No.1
Track length1:11
No.2
Track length0:43
No.4
Track length0:42
No.6
Track length2:40
No.5
Track length1:42
No.9
Track length1:25
No.11
Track length0:52
No.8
Track length1:26
No.9
Track length2:14
1. Andante
Track length8:22

Spotlight on this release

Awards and reviews

December 2013

Dynamic and dramatic readings, faithful to Brahms's intentions. Powerfully conceived, they are rhythmically alert, without an ounce of undue sentiment and never for an instant losing sight of the scores' rock-solid architecture. The Gewandhaus players reward him with magnificent playing, alert and sumptuously rich in sound.

26th October 2013

There’s not a whiff of Germanic stodginess, but nor do you feel the music is being unnaturally pushed. Chailly’s tempi, faster than 20th century tradition and always consistent within themselves, bring out the “classical” in Brahms, and the Leipzigers’ performances – wonderfully lithe as well as meltingly lyrical – are a tonic.

14th October 2013

The overriding impression I got from these performances was of Chailly wanting to blow away the cobwebs, to set aside tradition and to come up with something that sounded different.

17th November 2013

Chailly achieves a refreshing clarity and vividness...Sometimes, I feel, clarity is achieved at the cost of lightening the bass too much. All in all, though, these are richly stimulating performances.
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