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Imaginary Pictures: Kirill Gerstein

Kirill Gerstein (piano)

Imaginary Pictures: Kirill Gerstein
you sense, right from the opening Promenade of Pictures, that Gerstein has considered everything: textures are rethought, phrasing pondered, while tempi are fluid and oft-changing...I can't...

Imaginary Pictures: Kirill Gerstein

Kirill Gerstein (piano)

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you sense, right from the opening Promenade of Pictures, that Gerstein has considered everything: textures are rethought, phrasing pondered, while tempi are fluid and oft-changing...I can't...

About

Both Schumann and Mussorgsky were wildly imaginative composers who found ways of expression that went beyond the conventional. On this recording, pianist Kirill Gerstein offers an unusual yet logical pairing of Mussorgsky's 'Pictures at an Exhibition' and Schumann's 'Carnaval': piano pieces in which the layer of the visua l and the illustrative gives way to subtler and more personal meanings.

Kirill's first solo recording, featuring works by Schumann, Liszt and Oliver Knussen, was chosen by The New York Times as one of the best recordings of 2010. He has also collaborated with Tabea Zimmerman on two volumes of Sonatas for viola and piano, by Rebecca Clarke, Henri Vieuxtemps, Brahms, Schubert and Franck, all for the Myrios label, released in February 2011 and November 2012.

Born in 1979 in Voronezh, in southwestern Russia, Gerstein moved to the United States at 14 to study jazz piano as the youngest student ever to attend Boston’s Berklee College of Music. After completing his studies he turned his focus back to classical music. Gerstein was the sixth recipient of the prestigious Gilmore Artist Award in 2010, presented every four years to an exceptional pianist who, regardless of age or nationality, possesses broad and profound musicianship and charisma and who can sustain a career as a major international artist. He has shared his prize through the commissioning of new works by Oliver Knussen, Chick Corea, Brad Mehldau and Timothy Andres, with additional commissions scheduled for future seasons.

Contents and tracklist

Promenade I
Track length1:39
I. Gnomus
Track length2:20
Promenade II
Track length0:52
II. Il vecchio castello
Track length3:59
Promenade III
Track length0:30
III. Tuileries (Dispute d'enfants après jeux)
Track length1:04
IV. Bydło
Track length2:38
Promenade IV
Track length0:48
V. Ballet of Unhatched Chicks in Their Shells
Track length1:18
VI. Samuel Goldenberg und Schmuÿle
Track length1:57
Promenade V
Track length1:37
VII. Limoges, le marché (La grande nouvelle)
Track length1:20
VIIIa. Catacombæ (Sepulcrum romanum)
Track length1:45
VIIIb. Con mortuis in lingua mortua
Track length2:06
IX. The Hut on Fowl's Legs (Baba Yaga)
Track length3:23
X. The Great Gate at Kiev
Track length4:55
No. 1, Préambule
Track length2:26
No. 2, Pierrot
Track length1:55
No. 3, Arlequin
Track length1:16
No. 4, Valse noble
Track length2:01
No. 5, Eusebius
Track length1:41
No. 6, Florestan
Track length1:07
No. 7, Coquette
Track length1:36
No. 8, Réplique
Track length0:56
Sphinxes
Track length0:26
No. 9, Papillons
Track length0:46
No. 10, A.S.C.H. - S.C.H.A. (Lettres dansantes)
Track length0:58
No. 11, Chiarina
Track length1:25
No. 12, Chopin
Track length1:02
No. 13, Estrella
Track length0:29
No. 14, Reconnaissance
Track length1:45
No. 15, Pantalon et Colombine
Track length1:02
No. 16, Valse allemande
Track length0:50
No. 17, Intermezzo. Paganini
Track length1:15
No. 18, Aveu
Track length0:58
No. 19, Promenade
Track length2:32
No. 20, Pause
Track length0:18
No. 21, Marche des "Davidsbündler" contre les Philistins
Track length3:51

Awards and reviews

Awards Issue 2014

you sense, right from the opening Promenade of Pictures, that Gerstein has considered everything: textures are rethought, phrasing pondered, while tempi are fluid and oft-changing...I can't help wondering if Gerstein is perhaps over-intellectualising a work that needs to sound rawer and more blood-and-guts.

January/February 2015

Kirill Gerstein possesses a formidable technique.
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