Special offer. Harrison Birtwistle: Chamber Music
Amy Freston (soprano), Adrian Brendel (cello), Lisa Batiashvili (violin), Till Fellner (piano), Roderick Williams (baritone)
Awards:
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Gramophone Awards, 2015, Finalist - Contemporary
All one can do with music as esoteric as this is to remember the greatness of what Birtwistle has written before and go on listening...The singer of what sounds like an extraordinary difficult...
Special offer. Harrison Birtwistle: Chamber Music
Amy Freston (soprano), Adrian Brendel (cello), Lisa Batiashvili (violin), Till Fellner (piano), Roderick Williams (baritone)
Purchase product
Awards:
-
Gramophone Awards, 2015, Finalist - Contemporary
All one can do with music as esoteric as this is to remember the greatness of what Birtwistle has written before and go on listening...The singer of what sounds like an extraordinary difficult...
About
This album of Sir Harrison Birtwistle’s chamber music and songs, mostly of recent vintage, is issued as the innovative Great British composer approaches his 80th birthday (he was born in Accrington in July 1934). It features an exceptional line-up of performers. Heard together and separately is the trio of Austrian pianist Till Fellner, Georgian violinist Lisa Batiashvili and English cellist Adrian Brendel. They are joined by London-born singers, soprano Amy Freston and baritone Roderick Williams.
The compositions include “Bogenstrich” written in 2006 as a short piece in tribute to Alfred Brendel and first played by his son Adrian together with Till Fellner. It was subsequently expanded into a cycle with the addition of settings of Rilke for baritone, cello and piano.
The Trio for piano, violin and cello is the newest piece, premiered in 2011, a 16-minute single movement work of elaborate patterning, gestures and responses.
Settings of the concise writings of US Objectivist poet Lorine Niedecker (1903-1970), scored for soprano and cello in 1998 and 2000, begin and close the album. As Bayan Northcott writes in the booklet, “These concentrated songs demand the utmost of their performers in precision, expression and timing. As in Webern’s settings, the few words and notes on the page can seem to imply whole worlds of thought and feeling”. This highly concentrated chamber-scale expressivity is felt throughout the entire album, recorded at Munich’s famed Herkulessaal, and produced by Manfred Eicher.
Contents and tracklist
- Adrian Brendel (cello), Amy Freston (soprano)
- Recorded: 2011-08-24
- Recording Venue: Herkulessaal, Munich
- Lisa Batiashvili (violin), Adrian Brendel (cello), Till Fellner (piano)
- Recorded: 2011-08-24
- Recording Venue: Herkulessaal, Munich
- Till Fellner (piano), Roderick Williams (baritone), Adrian Brendel (cello)
- Recorded: 2011-08-24
- Recording Venue: Herkulessaal, Munich
- Adrian Brendel (cello), Amy Freston (soprano)
- Recorded: 2011-08-24
- Recording Venue: Herkulessaal, Munich
Awards and reviews
July 2014
All one can do with music as esoteric as this is to remember the greatness of what Birtwistle has written before and go on listening...The singer of what sounds like an extraordinary difficult vocal line is Roderick Williams, always a great artist and here setting a standard it is hard to imagine being equalled.
August 2014
There are a dozen of [Niedecker's poems] here to which Birtwistle responds with great refinement of sound and procedure...Roderick Williams is very fine in Bogenstrich and the three instrumentalists, quite closely recorded, are in a class any composer would die for.
22nd June 2014
by stealth, insinuation and even a kind of double bluff (snatches of outright parody), Birtwistle makes [chamber music] his own.
1st May 2014
Terse to the point of aphorism, the [Niedecker settings] are perhaps the most Webern-like of all Birtwistle's works, capable of opening up huge, expressive vistas from just a handful of notes; Amy Freston and Adrian Brendel catch that spareness perfectly.
26th April 2014
this gripping disc of fairly recent chamber and vocal music is unexpectedly playful, tender, mysterious, mellow, sparse and elegiac. The performers are top-notch...and the interpretations intense and cogent.
