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Elliott Carter: The Five String Quartets

Juilliard String Quartet

Elliott Carter: The Five String Quartets
Listened to in order, it's an impressive, invigorating experience...The phrase 'modern classic' can be overused, but this release tends to confirm what has long been a growing suspicion: Carter's...

Elliott Carter: The Five String Quartets

Juilliard String Quartet

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320 kbps, MP3

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No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
Listened to in order, it's an impressive, invigorating experience...The phrase 'modern classic' can be overused, but this release tends to confirm what has long been a growing suspicion: Carter's...

About

Elliott Carter’s five string quartets are landmarks in the American composer’s rich, visionary body of work. And no ensemble has been as essential in bringing these works to life as the Juilliard String Quartet. Their performances grew out of a friendship that spanned over half a century. Since its inception in 1946, the Juilliard String Quartet has made manifest the credo of founders Robert Mann and William Schuman to “play new works as if they were established masterpieces, and established masterpieces as if they were new.” They have performed over 500 works including the premieres of more than 60 pieces by American composers, with works by the country’s finest jazz musicians among them. The Juilliard Quartet was the first ensemble to play all six Bartok quartets in the United States, and its performances of Schoenberg’s quartets helped establish the works as cornerstones of the modern string quartet canon. In recent seasons, the Quartet has performed at the Vienna Konzerthaus, the Berlin Konzerthaus, the International Beethoven Festival in Bonn, the Palacio Real in Madrid, the Cite de la musique in Paris, the Miyazaki Festival, Tokyo’s Kioi Hall, the Moscow International Performing Arts Centre, London’s Wigmore Hall and Queen Elizabeth Hall, the Musica Viva Chamber Music Festival in Australia and the Israel Festival in Jerusalem. In the United States, they have appeared at Carnegie Hall, the Tanglewood Festival, the Kennedy Center, Boston’s Jordan Hall, Los Angeles’s Disney Hall, Chicago’s Orchestra Hall and San Francisco’s Herbst Theatre. In 2011, the JSQ and its recently appointed first violinist Joseph Lin were the subject of the film “Keeping Beethoven Contemporary” produced and released by Michael Blackwood Productions which showed the Quartet in rehearsal and performance of Beethoven’s Quartet in B flat Major, Op. 130 with the original last movement, the Grosse Fuge. With more than 100 releases to its credit, the JSQ is one of the most widely recorded string quartets of our time. The Quartet’s recordings of the complete Bartok quartets, the late Beethoven quartets, the complete Schoenberg quartets and Debussy and Ravel quartets have all received Grammy Awards. They were inducted into the Hall of Fame of the National Academy for Recording Arts and Sciences in 1986 for its first recording of the complete Bartok quartets and were awarded the Deutsche Schallplattenkritik Prize in 1993 for Lifetime Achievement in the recording industry. In 2011 the Juilliard String Quartet became the first classical music ensemble to be honored by The Recording Academy (the Grammy Awards) with a Lifetime Achievement Award. Specialist promo & marketing activity.

Contents and tracklist

I. Fantasia: Maestoso (quarter note=72) {m.1} *
Track length9:32
Allegro scorrevole (quartet note=135) {m.356
Track length3:43
II. Allegro scorrevole (quarter note=135) {m.1)
Track length1:18
Adagio (quarter note=36) {m. 57} Variations (quarter note=72){m.167
Track length12:14
This track is only available as an album download.
III. Variations (quarter note=120) {m.1
Track length15:07
This track is only available as an album download.
Introduction (quarter note=105) (m.1)
Track length1:16
I. Allegro fantastico (quarter note=112) (m.35)
Track length3:01
Cadenza for Viola (m. 135)
Track length1:33
II. Presto scherzando (quarter note=175) (m.171)
Track length2:19
Cadenza for Cello (m.243)
Track length2:18
III. Andante espressivo (quarter note=175) (m.286)
Track length4:32
Cadenza for Violin I (m.373)
Track length1:54
IV. Allegro (m.427)
Track length5:06
Conclusion (quarter note=105) (m.599)
Track length1:23
Duo II: Maestoso (giusto sempre) - Pause - Grazioso - Giusto, meccanico ; Duo I: Furioso (quasi rubato sempre) - Leggerissimo - Andante espressivo - Pause
Track length4:16
Duo II: Giusto, meccanico (cont.) - Pause - Scorrevole; Duo I: Giocoso - Pause
Track length2:09
Duo II: Scorrevole (cont.) - Giusto, meccanico - Grazioso; Duo I: Leggerissimo - Furioso - Pause
Track length2:45
Duo II: Grazioso (cont.) - Maestoso - Pause; Duo I: Giocoso - Andante Espressivo
Track length2:34
Duo II: Largo tranquillo - Appassionato - Largo tranquillo; Duo I: Andante espressivo (cont.) - Pause - Leggerissimo - Giocoso - Furioso
Track length5:20
Duo II: Scorrevole - Appassionato - Coda; Duo I: Furioso (cont.) - Andante espressivo - Furioso - Coda
Track length4:09
Appassionato (half note=63) {m.1
Track length7:15
Scherzando (stesso tempo) {m.118
Track length6:39
Lento (stesso tempo) {m.214
Track length7:39
Presto (half note=94.5) {m.312
Track length7:19
Introduction
Track length1:21
Giocoso
Track length2:35
Interlude I
Track length1:22
Lento espressivo
Track length2:04
Interlude II
Track length1:16
Presto scorrevole
Track length1:19
Interlude III
Track length1:30
Allegro energico
Track length1:54
Interlude IV
Track length2:07
Adagio sereno
Track length2:58
Interlude V
Track length1:23
Capriccioso
Track length1:45

Awards and reviews

August 2014

Listened to in order, it's an impressive, invigorating experience...The phrase 'modern classic' can be overused, but this release tends to confirm what has long been a growing suspicion: Carter's is one of the vital quartet cycles of the 20th century...An essential release.

19th April 2014

The Juilliard Quartet was a leading advocate from the time it premiered the notoriously complex Third Quartet in 1973. Its interpretations of the first four quartets were taped in the early 1990s, and these are now repackaged with an equally definitive new recording of the Fifth

27th March 2014

the Juilliard now sound a little tentative and sometimes tense, though their performances are unstintingly committed.

22nd March 2014

the Juilliard String Quartet here demonstrates the value of its close relationship with Elliott Carter...The precise, prickly texture of the pizzicato passages speaks of exhausting rehearsal...The Juilliard handles these problems, and the complex “metric modulation” of String Quartet No 1, with a grace and dexterity that surely belies the industry involved.
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