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A piacere

Music for viola da gamba

Fahmi Alqhai (viola da gamba), Arcángel (voice), Pablo Martín (Caminero, violone & double bass), Pedro Estevan, Agustín Diassera (percussion), Juan Carlos Rivera (theorbo), Rami Alqhai (viola da gamba, violotto), Johanna Rose, Ignacio del Valle (violas da gamba)

A piacere
Les pleurs, the baseline of gamba repertoire, is as accomplished a performance as you could expect, confirming Alqhai as a master of the instrument; but inasmuch as the gamba was never truly...

A piacere

Music for viola da gamba

Fahmi Alqhai (viola da gamba), Arcángel (voice), Pablo Martín (Caminero, violone & double bass), Pedro Estevan, Agustín Diassera (percussion), Juan Carlos Rivera (theorbo), Rami Alqhai (viola da gamba, violotto), Johanna Rose, Ignacio del Valle (violas da gamba)

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Les pleurs, the baseline of gamba repertoire, is as accomplished a performance as you could expect, confirming Alqhai as a master of the instrument; but inasmuch as the gamba was never truly...

About

In 'A piacere' Fahmi Alqhai demonstrates once again what an expressive musician he has become, and with the viola da gamba as his “Wondrous Muse”, he recreates for CD a concert programme which he has been touring and refining over recent years. Following his ensemble album 'Rediscovering Spain' (performed with Accademia del Piacere) this new release from Glossa has a distinctively soloistic feel and approach to it, with Alqhai relishing the different moods and musical directions that his chosen musical “voice” permits him to take. Considering the instrument as so much more than a relic from the decaying aristocratic age of Louis XV in France, Alqhai demonstrates – by his choice of programme and his playing – the viol’s versatility, flexibility and depth of emotional response: music from Spanish, German and French Baroque masters of the instrument are joined by Alqhai’s own version of Joe Satriani's 'Always with me, always with you' rock number. Notably in his Satriani adaptation (but also in an old Spanish popular melody featuring the cantaor Arcángel, as well as elsewhere) Alqhai receives support from musician friends gathered at sessions in Seville, all helping to create – in marvellous sound – a new demonstration of the creative freedom that old music can allow in the right hands.

Contents and tracklist

Concerto No. 44 for 2 Equal Bass Viols, "Tombeau Les Regrets": IV. Les pleurs
Track length2:45
Pieces for Solo Viol: I. Allemande
Track length3:02
I. Sarabande, "Le pleureux"
Track length3:10
Les Indes galantes: Les Sauvages (arr. for chamber ensemble)
Track length3:24
Pieces de viole, Book 2: Les voix humaines
Track length5:30
Pieces de viole, Book 3: La Guitare
Track length3:56

Awards and reviews

Les pleurs, the baseline of gamba repertoire, is as accomplished a performance as you could expect, confirming Alqhai as a master of the instrument; but inasmuch as the gamba was never truly standardised as an instrument, the rest is a merry tribute to all it could have been, and can still be.

May 2014

Les pleurs, the baseline of gamba repertoire, is as accomplished a performance as you could expect, confirming Alqhai as a master of the instrument; but inasmuch as the gamba was never truly standardised as an instrument, the rest is a merry tribute to all it could have been, and can still be.

6th April 2014

The viola da gamba’s reputation for sober restraint is here laid to rest...Alqhai cannot resist sexing up Gaspar Sanz and even Rameau, adding exotic percussion here, jazzy double bass pizzicatos there. It does the music no harm at all.
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