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Special offer. Rameau: Complete Keyboard Music Volume 3

Stephen Gutman (piano)

Gutman aims to prove that, far from being ill-suited to harpsichord works, the piano can illuminate them; as he points out, its capacity to vary the tone allows the player to bring out the contrasting...

Special offer. Rameau: Complete Keyboard Music Volume 3

Stephen Gutman (piano)

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Gutman aims to prove that, far from being ill-suited to harpsichord works, the piano can illuminate them; as he points out, its capacity to vary the tone allows the player to bring out the contrasting...

About

Rameau is widely acknowledged as one of the world’s major composers, but whereas pianists are happy to play music by his contemporaries Bach, Handel and Scarlatti, they have largely ignored Rameau’s glorious output for keyboard.

This series (this is the third of three CDs) aims to remedy that shortcoming by recording all of Rameau’s music for keyboard – the first ever to do so.

The pianist, Stephen Gutman, is a specialist in French and Baroque music and his expertise produces readings that satisfy the stylistic requirements of the music and exploit the sonorities of the modern concert grand.

The booklet notes are by Britain’s leading Rameau scholar, Graham Sadler.

Stephen Gutman has earned a reputation as one of Britain’s most creative performers of modern music; he has also made a speciality of interpreting French Baroque keyboard repertoire on the modern piano. He has given the UK premieres of works by Birtwistle and Schnittke, amongst others; new works have been written for him by such composers as Julian Anderson, Michael Finnissy, Simon Holt, Gabriel Jackson and John Woolrich.

Contents and tracklist

I. Allemande
Track length7:42
II. Courante
Track length3:40
III. Sarabande
Track length2:21
IV. Les trois mains
Track length4:15
V. Fanfarinette
Track length3:07
VI. La triomphante
Track length1:31
VII. Gavotte with 6 double
Track length00:59
VIII. Premier double de la Gavotte
Track length00:52
IX. Deuxième double
Track length00:50
X. Troisième double
Track length1:02
XI. Quatrième double
Track length00:49
XII. Cinquieme
Track length00:53
XIII. Sixième double
Track length1:09
I. Les tricotets
Track length1:55
II. L'indifferente
Track length2:02
III. Minuet I
Track length00:56
IV. Minuet II
Track length1:07
V. La poule
Track length4:23
VI. Les triolets
Track length3:09
VII. Les sauvages
Track length2:03
VIII. L'enharmonique
Track length4:32
IX. L'egiptienne
Track length2:47
I. La forqueray (Arr. S. Gutman for Piano)
Track length2:09
II. La Cupis (Arr. S. Gutman for Piano)
Track length6:02
III. La marais (Arr. S. Gutman for Piano)
Track length2:26
Giga (Pygmalion)[Arr. C. Balbastre for Piano]
Track length1:57

Awards and reviews

July 2014

Gutman aims to prove that, far from being ill-suited to harpsichord works, the piano can illuminate them; as he points out, its capacity to vary the tone allows the player to bring out the contrasting voices in polyphony, and his judicious transcriptions repeatedly demonstrate this.
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