Bach, J S: The Well-Tempered Clavier, Book 2
Christophe Rousset (harpsichord)
He combines virtuoso technique and sharp intellect, underscoring the extremes of freedom and rigour that lie at the heart of these works, and the playing is by turns pliant, controlled, spartan,...
Bach, J S: The Well-Tempered Clavier, Book 2
Christophe Rousset (harpsichord)
Purchase product
He combines virtuoso technique and sharp intellect, underscoring the extremes of freedom and rigour that lie at the heart of these works, and the playing is by turns pliant, controlled, spartan,...
About
Christophe Rousset's first recording for Aparté, devoted to Louis Couperin, was received enthusiastically by public and critics alike and collected many distinctions in the international press, including a BBC Music Magazine Instrumental Choice. Since then he has continued to delight and excel both as harpsichordist and as director of Les Talens Lyriques. Now at the peak of his maturity, the artist presents Bach' musical testament: the Well-Tempered Clavier. Written 20 years after the first volume, Book II contains the musical and spiritual legacy of the composer. Christophe Rousset plays these pieces on the 1628 Ruckers harpsichord of Antwerp, one of the best examples of its kind in the world.
The usual luxury digipack presentation from Aparte is accompanied by informative essays on the compositions, performance practice and on the origins of the harpsichord: "Preserved in the château de Versailles since 1946, the harpsichord had been bequeathed to the Musée de Cluny in Paris by the painter Joseph Fernand Boissard de Boisdenier (1813-1866). The latter was a dilettante, as well as an excellent violinist and organiser of musical evenings, but he is chiefly remembered for the famous 'fantasias' (hashish parties) held in his apartment that were immortalised by his friend Théophile Gautier in 'Le Club des Hachichins'.” Alain Anselm, Harpsichord maker
Contents and tracklist
Awards and reviews
February 2014
He combines virtuoso technique and sharp intellect, underscoring the extremes of freedom and rigour that lie at the heart of these works, and the playing is by turns pliant, controlled, spartan, ornate...Rousset's instrument of choice is the noble 1628 Ruckers double-manual harpsichord of the Palace of Versailles, its sound as glimmering and mature as a vintage claret.
March 2014
Rousset's harpsichord, a 1628 Ruckers ravelement, is an equal collaborator (enjoy particularly its bell-like sonorities in G major or the slightly astringent sound of the theme in the F sharp minor fugue)...He is one of the finest harpsichordists working today and these readings, while never pedantic or ponderous, feel fully studied and assimilated.
February 2014
Rousset is unquestionably a player of impeccable and immaculate technical command, fluent and precise in touch, compelling in his choice of tempos and authoritative in his grasp of structure.
26th January 2014
Rousset has something special to offer here -a gorgeous Ruckers instrument of 1628 which has an ideal resonance and crispness. He understands perfectly how to use overlapping notes and phrases to create an expressiveness you might not suspect possible...a world of inspiration.
