Jansens's approach is clearly influenced by the period instrument movement but by no means slavishly so...Sometimes there's a touch of creative tension between the historically-aware Jansen and her 'modern' violinist self...but there's a vivacity that invariably responds to the spirit of the dance.

this is a distinctive and personal celebration of Jansen's highly inflected playing in the company of friends...Most noticeable in the general concerto canvas is how Jansen's quixotic, bold and spontaneous toying with Bach so often finds itself checked by her 'friends'.

worth hearing for Jansen’s driving speeds, nimble ornamentation, energy and elegant sense of Baroque style. The textures are spruce, and a particular success is the C minor Double Concerto with the delectable tone of oboist Ramón Ortega Quero.

Jansen’s take on Bach is both fresh and comfortingly familiar...she achieves a rare combination of old-school glamorous sound and the outdoorsy briskness of period playing. Gorgeous.