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Bach, J S: Mass in B minor, BWV232

Hana Blaziková (soprano), Sophie Harmsen (mezzo), Terry Wey (countertenor), Eric Stoklossa (tenor) & Tomas Kral, Marián Krejcik (bass)

Collegium Vocale 1704 & Collegium 1704, Václav Luks

the Crucifixus is refreshingly strong in character, while the Agnus Dei is beautifully shaped. Balance and blend are excellent- there is no doubt the enormous care has been taken over this recording.

Bach, J S: Mass in B minor, BWV232

Hana Blaziková (soprano), Sophie Harmsen (mezzo), Terry Wey (countertenor), Eric Stoklossa (tenor) & Tomas Kral, Marián Krejcik (bass)

Collegium Vocale 1704 & Collegium 1704, Václav Luks

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This release includes a digital booklet

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the Crucifixus is refreshingly strong in character, while the Agnus Dei is beautifully shaped. Balance and blend are excellent- there is no doubt the enormous care has been taken over this recording.

About

Following two prize-winning recordings of works by Jan Dismas Zelenka (ACC24244 and ACC24259) highly praised by the international press, the Prague Collegium 1704 directed by Václav Luks has meanwhile given guest performances at the most important European concert venues. With its new CD recording, the ensemble has now conquered a milestone in baroque choral literature: Johann Sebastian Bach's B-minor Mass. The enigma of this great Catholic Mass by the Protestant Bach has continued to occupy musicologists to the present day.

In accordance with the current state of research, the ensemble is set up according to the ideals of Johann Sebastian Bach. The choir – the high-quality Collegium Vocale 1704 – provides not only choral parts, with four singers to each part, but also the soloists, accompanied by an orchestra of 30 instrumentalists all of whom are internationally known specialists in historically accurate performance practice.

This new recording, the first Czech CD recording of this work on historical instruments, captivates listeners through the special charm, lightness and great virtuosity for which this ensemble is noted, together with the extensive knowledge and seriousness with which Václav Luks tackles his projects. Whereas a rather Protestant sobriety dominates other recordings of Bach's great Mass, this recording is impressive for its Catholic-influenced, Bohemian joy in music-making - with a zest for living that can be felt at all times.

Contents and tracklist

Kyrie eleison (Chorus)
Track length10:20
Christe eleison (Soprano 1 and 2)
Track length4:36
Kyrie eleison (Chorus)
Track length2:29
Gloria in excelsis Deo (Chorus)
Track length1:36
Et in terra pax (Chorus)
Track length5:10
Laudamus te (Soprano 2)
Track length4:04
Gratias agimus tibi (Chorus)
Track length2:16
Domine Deus (Soprano 1, Tenor)
Track length5:22
Qui tollis peccata mundi (Chorus)
Track length2:53
Qui sedes ad dextram Patris (Alto)
Track length4:18
Quoniam tu solus Sanctus (Bass)
Track length4:02
Cum Sancto Spiritu (Chorus)
Track length3:49
Credo in unum Deum (Chorus)
Track length1:39
Patrem omnipotentem (Chorus)
Track length1:46
Et in unum Dominum (Soprano 1, Alto)
Track length4:22
Et incarnatus est (Chorus)
Track length2:56
Crucifixus (Chorus)
Track length2:37
Et resurrexit (Chorus)
Track length3:41
Et in Spiritum Sanctum Dominum (Bass)
Track length5:07
Confiteor unum baptisma (Chorus)
Track length3:54
Et expecto resurrectionem mortuorum (Chorus)
Track length2:09
Sanctus (Chorus)
Track length3:51
Osanna (Double Chorus)
Track length2:31
Benedictus (Tenor)
Track length4:42
Osanna (Double Chorus)
Track length2:33
Agnus Dei (Alto)
Track length5:49
Dona nobis pacem (Double Chorus)
Track length2:38

Awards and reviews

January/February 2014

the Crucifixus is refreshingly strong in character, while the Agnus Dei is beautifully shaped. Balance and blend are excellent- there is no doubt the enormous care has been taken over this recording.

December 2013

there is no mistaking Collegium 1704's qualities: the superb choir sing with judicious weight and solemnity in the opening chords of the Kyrie...There's plenty of sparkle and vigour in the trumpet-laden opening of the Gloria...another highly accomplished Mass in B minor rather than an essential new perspective - but there's nothing wrong with that.

11th December 2013

Blaziková is one of the brightest stars in the early music scene right now, and it is easy to understand why that is the case. She has a very beautiful voice, with a bright timbre and great flexibility. Her articulation and phrasing and her treatment of dynamics are outstanding and very appropriate for this kind of music. She is the main asset of this recording.

March 2014

the soloists are excellent, the choir’s intonation, attack and ensemble are impeccable and the orchestra is controlled ...the clarity of texture is exemplary.
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