Name: Bach, J S: The Well-Tempered Clavier, Book 1
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Bach, J S: The Well-Tempered Clavier, Book 1

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Hill establishes his voice from the outset with fluid, velvet-toned playing and a predominantly introspective, rather than showy approach...In short, these are exquisitely poetic and, above... — BBC Music Magazine, September 2013, 5 out of 5 stars More…

Release Date: 3rd Jun 2013
Catalogue No: DCD34126
Label: Delphian
Length: 2 hours 0 minutes

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Bach, J S: The Well-Tempered Clavier, Book 1

Work length2:00:48

$48.00

$62.40

$84.00

Peter Hill (piano)
Recorded: 10-12 July and 17-18 December 2012
Recording Venue: University Concert Hall, Cardiff University, Cardiff, United Kingdom

Prelude I in C Major

Track length2:08

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Fugue I in C Major

Track length2:00

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Prelude II in C Minor

Track length1:43

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Fugue II in C Minor

Track length1:43

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Prelude III in C-Sharp Major

Track length1:19

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Fugue III in C-Sharp Major

Track length2:34

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Prelude IV in C-Sharp Minor

Track length3:04

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Fugue IV in C-Sharp Minor

Track length4:06

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Prelude V in D Major

Track length1:20

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Fugue V in D Major

Track length1:59

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Prelude VI in D Minor

Track length1:33

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Fugue VI in D Minor

Track length2:20

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Prelude VII in E-Flat Major

Track length4:23

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Fugue VII in E-Flat Major

Track length2:11

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Prelude VIII in E-Flat Minor

Track length4:15

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Fugue VIII in D-Sharp Minor

Track length5:52

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Prelude IX in E Major

Track length1:28

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Fugue IX in E Major

Track length1:24

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Prelude X in E Minor

Track length3:14

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Fugue X in E Minor

Track length1:24

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Prelude XI in F Major

Track length1:26

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Fugue XI in F Major

Track length1:31

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Prelude XII in F Minor

Track length2:47

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Prelude XII in F Minor

Track length4:23

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Prelude XIII in F-Sharp Major

Track length1:48

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Fugue XIII in F-Sharp Major

Track length2:25

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Prelude XIV in F-Sharp Minor

Track length1:19

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Fugue XIV in F-Sharp Minor

Track length2:33

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Prelude XV in G Major

Track length1:15

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Fugue XV in G Major

Track length2:48

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Prelude XVI in G Minor

Track length2:06

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Fugue XVI in G Minor

Track length2:55

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Prelude XVII in A-Flat Major

Track length1:26

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Fugue XVII in A-Flat Major

Track length2:39

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Fugue XVIII in G-Sharp Minor

Track length1:40

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Fugue XVIII in G Sharp Minor

Track length3:23

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Prelude XIX in A Major

Track length1:15

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Fugue XIX in A Major

Track length3:18

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Prelude XX in A Minor

Track length1:14

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Fugue XX in A Minor

Track length4:25

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Prelude XXI in B-Flat Major

Track length1:24

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Fugue XXI in B-Flat Major

Track length1:56

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Prelude XXII in B Flat Minor

Track length2:39

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Fugue XXII in B-Flat Minor

Track length3:03

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Prelude XXIII in B Major

Track length1:29

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Fugue XXIII in B Major

Track length2:24

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Prelude XXIV in B Minor

Track length6:13

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Fugue XXIV in B Minor

Track length5:04

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About
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Peter Hill’s recording of Bach’s 'Well-Tempered Clavier', Book II wowed critics across the board in January 2012, prompting The Guardian to write: "With luck this is the first in a series of Bach recordings from Hill, and let’s hope Book I of the '48' follows soon."

One of the leading British pianists of his generation, Peter Hill is known for his performances and recordings of 20th-century and contemporary music as well as the classical repertoire. His complete cycles of Messiaen and of Berg, Schoenberg and Webern have received superlative acclaim. The Messiaen was described as "one of the most impressive solo recording projects of recent years", New York Times, and won Messiaen’s endorsement:"Beautiful technique, a true poet: I am a passionate admirer of Peter Hill’s playing". Both sets feature in the book '1001 Classical Recordings You Must Hear Before You Die'.

Reviews

September 2013

Hill establishes his voice from the outset with fluid, velvet-toned playing and a predominantly introspective, rather than showy approach...In short, these are exquisitely poetic and, above all, painterly accounts.

September 2013

Hills shows a particular sensitivity to the kind of touch required to play this music on the harpsichord...His restraint and intellectual approach throughout renders the performance wholly satisfying...Thank goodness we have Hill’s full account now, however, for it will provide a fantastic resource to delve into as well as many hours of enjoyable listening

24th July 2013

Hill plays Bach as if in one-to-one communion with the composer, while at the same time sharing it with you, the listener...It confides and reveals the genius of the composer rather than the brilliant musicianship of the performer, while at the same time keeping the notes singing and alive, the rhythms sprightly and filled with their essential line-fuelled but oft-restrained Baroque energy.

23rd June 2013

Bach’s music tests the pianist in many ways, but one of the most telling is that it asks how much or how little the performer should exert ego. Hill... gets the balance just about right in an intimate account of the first book of The Well-Tempered Clavier that nevertheless oozes authority.

6th June 2013

what emerges so clearly again in Hill's wonderfully thoughtful, lucid performances is the sheer range of these pieces, the myriad ways in which Bach varied the preludes to incorporate so many distinctive 18th-century musical forms, from dances to studies, arias to improvisations. Hill characterises every one of them vividly and individually

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