Shostakovich: Symphony No. 10 in E minor, Op. 93
Royal Concertgebouw Orchestra, Mariss Jansons
Everything he does helps immaculate articulation; it can be fierce, but it's never wild. If you want to experience a Shostakovich Ten as beautiful sound, this is the recording for you, but it's...
Shostakovich: Symphony No. 10 in E minor, Op. 93
Royal Concertgebouw Orchestra, Mariss Jansons
Purchase product
Everything he does helps immaculate articulation; it can be fierce, but it's never wild. If you want to experience a Shostakovich Ten as beautiful sound, this is the recording for you, but it's...
About
‘My aim was to convey human feelings and passions in this work,’ Shostakovich said of his newly completed Tenth Symphony in 1953. And it is clear exactly what it was that he wanted to relate: Stalin was dead, and after his music had been publicly denounced for being too abstract in 1948, Shostakovich had finally plucked up the courage to write another symphony. With the Tenth Symphony, Shostakovich effectively put his memories of the great tyrant behind him.
Ever since Kirill Kondrashin and Bernard Haitink first led performances of Shostakovich's Symphonies in the late 1970's, the Royal Concertgebouw Orchestra has astonished audiences and record buyers with their level of refinement and involvement in this repertoire. With the tenure of Mariss Jansons, a degree of authenticity is added; like Kondrashin before him, Jansons has experienced himself what it is like to work under Soviet conditions.
Following the award winning RCO Live release of his interpretation of Shostakovich's Seventh Symphony, Jansons's take on the composer's Tenth Symphony, presented on this new hybrid SACD, adds another benchmark performance to the orchestra's discography.
Contents and tracklist
- Royal Concertgebouw Orchestra
- Mariss Jansons
- Recorded: 29 January, 1 and 4 February 2009
- Recording Venue: Concertgebouw Amsterdam, Amsterdam, Netherlands
Awards and reviews
August 2013
Everything he does helps immaculate articulation; it can be fierce, but it's never wild. If you want to experience a Shostakovich Ten as beautiful sound, this is the recording for you, but it's not by any means the full story.
August 2013
You expect quality from this source - and you get it here, in abundance...Ultimately it's all a matter of taste, of course, but there is such a thing as too good in this music where technique and finish should never trump the unvarnished truth.
June 2013
Jansons ensures scrupulous observance of Shostakovich’s markings … a distinguished reading
25th July 2013
The music of Shostakovich must be in Mariss Jansons’ blood...Jansons seems to me to demonstrate a firm grip on the vast, brooding first movement and he appears to have a very good grasp of the structure. He’s helped by superb playing by the orchestra.
Classical Review 24th July 2013
Jansons is able to make the music broad and expansive, which again plays to the strengths of both the orchestra and the hall. But he’s also able to maintain the drama and the tension...Jansons shows us that you can have the best of both worlds, provided that is, you’re conducting one of the world’s great orchestras in one of the finest acoustics available for a release at the cutting edge of modern recording technology
