Klara Min Plays Chopin Mazurkas
Klara Min (piano)
This isn’t the softest-edged or most poetic of interpretations - see Garrick Ohlsson and Ivan Moravec - but it’s not a clattering rush, either; Min finds a middle path...it is true that just...
Klara Min Plays Chopin Mazurkas
Klara Min (piano)
Purchase product
This isn’t the softest-edged or most poetic of interpretations - see Garrick Ohlsson and Ivan Moravec - but it’s not a clattering rush, either; Min finds a middle path...it is true that just...
About
“Min plays with the most ravishing piano tone I’ve heard in the last 50 discs I’ve listened to, at least! Her dynamic control is out of this world … anybody’s music would be served well by Min’s touch.”
Thus raved American Record Guide’s Stephen Estep in his review of a previous recording by distinguished Korean pianist Klara Min. With this release, Min brings her special touch to a seventeen-piece survey of her favorite Mazurkas – a unique “composer genre” from Frédéric Chopin (1810-1849): widely regarded as the most intimate, heartfelt, emotionally varied, and deeply personal music that this beloved “Poet of the piano” ever wrote. Loosely based on the traditional Polish mazurek dance-form, Chopin applied subtle classical sophistication and advanced (for his day) harmonic schemes to this mostly simple folk-form, elevating it into high musical art that is far better-suited to the concert stage (or classical recordings) than to dancing!
Klara Min – justly renowned for her championing of Korean composers as well as her overall versatility – applies her “ravishing piano tone” to these lovely and affecting works, as well as her rare interpretive acumen, technical wizardry, plus a deeply intuitive and soulful affinity for Chopin’s music.
Contents and tracklist
- Klara Min
- Klara Min
- Klara Min
- Klara Min
- Klara Min
- Klara Min
- Klara Min
- Klara Min
- Klara Min
- Klara Min
Awards and reviews
7th June 2013
This isn’t the softest-edged or most poetic of interpretations - see Garrick Ohlsson and Ivan Moravec - but it’s not a clattering rush, either; Min finds a middle path...it is true that just about every phrase, every pause, is very carefully calibrated. That’s not to say they don’t sound spontaneous; they do, certainly, for the most part
