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JS Bach: Cello Suites Nos. 1, 3 & 5 (arranged for viola)

Antoine Tamestit (viola)

Intonation is excellent, his musical intuition profound, and he resists any temptation to trespass on the tonal qualities of modern instruments.

JS Bach: Cello Suites Nos. 1, 3 & 5 (arranged for viola)

Antoine Tamestit (viola)

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This release includes a digital booklet

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Intonation is excellent, his musical intuition profound, and he resists any temptation to trespass on the tonal qualities of modern instruments.

About

Considered as one of leading viola players worldwide, Antoine Tamestit decided to record Bach six Suites BWV1007-1012, in two volumes. This first volume presents Suites 1, 3 and 5 These universal and fascinating works have been Tamestit’s favorites almost for ever and those that made him switch from the violin to the viola when he was 10 years old!

Tamestit’s playing and the exceptional sound of his Stradivarius shed new light on those eternal masterpieces as he continues to develop an intense career through concerto, chamber and solo performances.

"When I discovered Bach's Cello Suites at the age of ten, they were such a revelation to me that I asked my violin teacher of the time if I could change instruments and switch to the cello. Having convinced me that, in that case, I would have to relearn virtually the entire technique of the instrument, she had the idea of showing me a viola and playing it for me. Another revelation, and love at first sight! After just a few days I put viola strings on my little violin, which sounded so deep, especially on the C string, that I felt the vibrations through my whole body. Since then I have never regretted choosing the viola, especially as I very soon had the opportunity to play transcriptions of those very Cello Suites. It was such a joy to me that I spent weeks just playing by ear a few bars of certain movements and begged my teachers to let me work on them." Antoine Tamestit

Contents and tracklist

I. Prelude
Track length2:16
II. Allemande
Track length4:18
III. Courante
Track length2:18
IV. Sarabande
Track length2:53
V. Menuet I-II
Track length2:48
VI. Gigue
Track length1:27
I. Prelude
Track length2:48
II. Allemande
Track length3:48
III. Courante
Track length2:27
IV. Sarabande
Track length3:33
V. Bourree I-II
Track length3:30
VI. Gigue
Track length3:01
I. Prelude
Track length5:37
II. Allemande
Track length5:49
III. Courante
Track length2:08
IV. Sarabande
Track length3:03
V. Gavotte I-II
Track length4:44
VI. Gigue
Track length2:19

Awards and reviews

June 2013

Intonation is excellent, his musical intuition profound, and he resists any temptation to trespass on the tonal qualities of modern instruments.

June 2013

Although Tamestit's tone never retreats enough to leave one with the sense of a slightly thin-sounding 'authentic' performance...you are left with the feeling that you're listening to the warmest of violas da gamba. And that, surely, is the greatest authenticity of all.

2nd July 2013

Tamestit’s viola CD is an absolute treat. He plays with a lightness and tautness that keep the quick dances bouncing, the slower movements singing, and the baroque spirit very much alive. His Stradivarius and baroque bow produce gorgeous tones, dark but sweet

10th March 2013

These viola transcriptions, by contrast, are all light and air, though by no means deficient in emotional content...He plays a rare Stradivarius viola — nicknamed the “Mahler” — of 1672, whose haunting sound, both warm and bright, will be a joy to Bachians and viola fans alike.
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