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Music for Two Organs

The Viennese Habsburg Court of the 17th Century

Johannes Strobl & David Blunden (Bossart organs from 1743, Abbey Church of Muri)

Choralschola Cappella Murensis

Music for Two Organs
What a joyful noise these baroque organs make; clearly they aren’t large, but their forthright character – not to mention their lovely top-end sparkle – are superbly caught by the Audite engineers...Radiant...

Music for Two Organs

The Viennese Habsburg Court of the 17th Century

Johannes Strobl & David Blunden (Bossart organs from 1743, Abbey Church of Muri)

Choralschola Cappella Murensis

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What a joyful noise these baroque organs make; clearly they aren’t large, but their forthright character – not to mention their lovely top-end sparkle – are superbly caught by the Audite engineers...Radiant...

About

The present SACD – recorded in the Abbey Church of Muri, which was founded by the forefathers of the Habsburgs – is dedicated to the organ music at the Viennese Habsburg Court of the 17th century. Leopold’s father and grandfather had already given music important status in their running of the Court. With the practicing musician Leopold I (1640 - 1705), who often led rehearsals and performances himself, the Viennese Hofkapelle (Court Chapel) became one of the most significant European music institutions of the time. Important musicians such as Johann Jakob Froberger, Johann Kaspar Kerll, and Alessandro Poglietti found employment in Vienna as Court Organists. A selection of their compositions is presented here as well as additional works from the baroque and early Baroque period by Priuli, Valentini, Ebner and Techelmann and by Emperor Leopold I himself.

Alongside genuine organ works the recording also contains intabulations of double-choir motets and canzonas. With these arrangements, the two organists Johannes Strobl and David Blunden tie in with the tradition of their historical predecessors and can present the two magnificent Bossart organs from the year 1743 in the Abbey Church of Muri both as solo and duetting instruments in excellent fashion. Sources from the music archive of the Vienna Minorite Monastery give evidence for the time around 1700 that Gregorian chant was not sung a cappella, but with organ accompaniment. This practice, which is hardly ever observed today, is taken into consideration in this recording.

Contents and tracklist

Civitas beata lerusalem a 8
Track length3:14
Canzona a 6 in G Major
Track length2:33
Canzone seconda a 8
Track length3:39
Canzona a 6 in G Minor
Track length3:45
O quam dulcis a 8
Track length4:17
Allemanda. 60a - Aria. 61a - Canario. 62a
Track length3:53
Canzon und Capriccio uber dass Henner und Hannergeschy
Track length4:04
Clamor grillorum campestrium
Track length1:30
Aria. 63a - Gavotte. 64a - Sarabande. 65a
Track length3:50

Awards and reviews

29th May 2013

What a joyful noise these baroque organs make; clearly they aren’t large, but their forthright character – not to mention their lovely top-end sparkle – are superbly caught by the Audite engineers...Radiant music, superbly played, sung and recorded; a must for Baroque buffs, organ fanciers and audiophiles alike.
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