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Zelenka: Missa Nativitatis Domini

Barbora Sojková (soprano), Markéta Cukrová (alto) & Tomáš Král (bass)

Musica Florea (on period instruments), Marek Štryncl

Zelenka: Missa Nativitatis Domini

Awards:

It is hugely persuasive music and is performed here by the period instrument group Musica Florea under Marek Štryncl with real tenderness and commitment. Soloists and choir are in good voice,...

Zelenka: Missa Nativitatis Domini

Barbora Sojková (soprano), Markéta Cukrová (alto) & Tomáš Král (bass)

Musica Florea (on period instruments), Marek Štryncl

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit

Awards:

It is hugely persuasive music and is performed here by the period instrument group Musica Florea under Marek Štryncl with real tenderness and commitment. Soloists and choir are in good voice,...

About

Lesser-known works of Jan Dismas Zelenka – music (not only) for Advent and Christmas.

Following on from the previous two titles (Sepolcri, SU40682; Melodrama de Sancto Wenceslao, SU41132), Supraphon’s Music From Eighteenth-Century Prague series now reflects Prague-related works by Jan Dismas Zelenka (1679–1745), whose pieces were performed at the city’s churches with increasing frequency from the middle of the 1730s.

One such composition was Missa nativitatis, ZWV 8, preserved at the Saint Nicolas Church in Prague’s Lesser Town; another copy is from C. Ph. E. Bach’s personal effects, which indicates that this very piece was one of the two Zelenka masses his father Johann Sebastian had in his library.

The aria of the Christmas motet O magnum mysterium is derived from the mentioned melodrama; Zelenka furnished it with a different text and added two flutes. The motet Chvalte Boha silného (Praise God Almighty), a setting of Psalm 150, is most likely the one and only Zelenka piece to a Czech text and has only been preserved in Prague copies.

The Advent spirit is supplemented by with the Marian hymn Magnificat. Zelenka’s lesser-known works are once again presented within the acclaimed Supraphon series by Musica Florea, a renowned Baroque orchestra who stood at the beginning of the modern discovery of this exceptional composer.

Contents and tracklist

I. Magnificat anima mea Dominum
Track length8:29
II. Amen
Track length2:08
I. Kyrie
Track length4:36
II. Gloria in excelsis Deo (Gloria)
Track length2:17
III. Domine Deus (Gloria)
Track length2:43
IV. Qui tollis peccata mundi (Gloria)
Track length1:54
V. Quoniam tu solus Sanctus (Gloria)
Track length3:04
VI. Cum Sancto Spiritu (Gloria)
Track length2:33
VII. Credo in unum Deum (Credo)
Track length1:48
VIII. Et incarnatus (Credo)
Track length1:02
IX. Crucifixus (Credo)
Track length2:02
X. Et resurrexit (Credo)
Track length1:53
XI. Et vitam venturi (Credo)
Track length1:39
XII. Sanctus
Track length1:24
XIII. Benedictus (Sanctus)
Track length2:51
XIV. Osanna in excelsis (Sanctus)
Track length0:16
XV. Agnus Dei
Track length3:54

Spotlight on this release

  • Christmas roundup

    3rd Dec 2012by Chris O'Reilly

    The Choir of King’s College Cambridge launch their own record-label with a collection of music commissioned for their Nine Lessons and Carols services over the decades, plus Zelenka’s Missa Nativitatis Domini from Musica Florea and Britten’s St Nicolas from Trinity College Cambridge.

Awards and reviews

3rd December 2012

It is hugely persuasive music and is performed here by the period instrument group Musica Florea under Marek Štryncl with real tenderness and commitment. Soloists and choir are in good voice, and the disc also contains a couple of world premières.
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