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Ravel: Mélodies

Nora Gubisch (mezzo-soprano) & Alain Altinoglu (piano), with Magali Mosnier (flute) & Jérôme Pernoo (cello)

Ravel: Mélodies

Awards:

[Gubisch] combines a beautiful voice with intelligence, crisp diction and a real sense of style...I would guess she's lived with this music for a long time...this is a disc from which young...

Ravel: Mélodies

Nora Gubisch (mezzo-soprano) & Alain Altinoglu (piano), with Magali Mosnier (flute) & Jérôme Pernoo (cello)

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$10.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

Awards:

[Gubisch] combines a beautiful voice with intelligence, crisp diction and a real sense of style...I would guess she's lived with this music for a long time...this is a disc from which young...

About

The mélodies presented here were written between 1903 and 1927. They display in exemplary fashion the different facets of the art of Ravelian song. Some malcontents have declared them 'unclassifiable'. In fact, what is striking here is the diversity, the eclecticism, the independence of the composer when he chooses, as encounters and opportunities crop up, to illustrate a poem by Verlaine, to set to music the prose of Jules Renard, or to harmonise a Greek or Hebrew tune.

This footloose stroll through different times and cultures gives us an insight into the composer's inquiring mind, his determination to follow his wishes and desires, without noisily drawing attention to himself, yet tranquilly standing his ground in his personal world while apparently indifferent to the scandals he quite involuntarily provoked. The song texts reflect Ravel's literary culture, his interest in and respect for literature, which had been as Integral a part of his life as music ever since his adolescence, when, in the company of Ricardo Vines (great-great-uncle of Nora Gubisch), he frequented the bookshops and the second-hand booksellers along the Seine.

After musical studies at the Radio France Maîtrise and piano study with Catherine Collard, mezzo-soprano Nora Gubisch was awarded first prize for singing at the Paris Conservatoire, going on to study with Vera Rózsa, who became her principal teacher and mentor. She quickly earned leading rôles with the Paris Opéra, La Scala, Milan, San Francisco Opera, Salzburg, Aix-en-Provence and the BBC Proms. She has been a guest of the Vienna, New York and Munich Philharmonic Orchestras, Dresden Staatskapelle, Orchestre de Paris and London Symphony Orchestra, with conductors including Sir Colin Davis, Lorin Maazel, Georges Prêtre and Nikolaus Harnoncourt. She has formed a duo with pianist and conductor, Alain Altinoglu, now her husband, and has recorded many songs.

Contents and tracklist

No. 1. Le paon (The Peacock)
Track length4:54
No. 2. Le grillon (The Cricket)
Track length3:19
No. 3. Le cygne (The Swan)
Track length3:27
No. 4. Le martin-pecheur (The Kingfisher)
Track length2:30
No. 5. Le pintade (The Guinea-Fowl)
Track length3:26
No. 1. Nahandove
Track length5:44
No. 2. Aoua!
Track length3:47
No. 3. Il est doux
Track length3:53
No. 1. Chanson de la mariee
Track length1:22
No. 2. La-bas, vers l'eglise
Track length1:30
No. 3. Quel galant m'est comparable
Track length0:55
No. 4. Chanson des cueilleuses de lentisques
Track length2:34
No. 5. Tout gai!
Track length0:55
No. 1. Kaddisch
Track length5:04
No. 2. L'enigme eternelle (The eternal enigma)
Track length1:36

Spotlight on this release

Awards and reviews

  • Gramophone Magazine
    November 2012
    Editor's Choice

Christmas 2012

[Gubisch] combines a beautiful voice with intelligence, crisp diction and a real sense of style...I would guess she's lived with this music for a long time...this is a disc from which young and even less young singers can learn a great deal. 'Aoua!', the central song of the Chansons madecasses, is truly terrifying, as it ought to be.

1st September 2012

It is a long, long time since anyone delved into Ravel’s songs as persuasively as Gubisch and her regular accompanist. The French mezzo-soprano has a full, voluptuous voice, but the key to her artistry lies in the idiomatic touch she brings to the music, based on her understanding of the texts and the difference it makes to the musical line...An outstanding recital.

November 2012

Altinoglu exploits the colours and textures with the utmost eloquence … Gubisch, with a vocal timbre of mellifluous beauty and well-focused richness, responds with the striking malleable spectrum of sensibility to the varied scenarios that Ravel encapsulates.

November 2012

One of the many attractions of this lovely disc is the exceptionally thoughtful booklet essay by Nina Vines … The recording is very fine and natural, with excellent balance … as fine a performance as I have ever heard … The individual songs are splendid

August 2014

A satisfying collection of songs with piano accompaniment from mezzo-soprano Nora Gubisch and pianist Alain Altinoglu. As well as delightful accounts of works such as Deux mélodies hébraïques and Trois chansons madécasses, they also treat us to a characterful performance of the Histoires naturelles, and other rarities.

26th August 2012

Not since the incomparable Régine Crespin...has a female French singer brought such insights and vocal allure to her native song repertoire as Nora Gubisch...Her voice remains youthful and bright, but capable of producing a wide spectrum of timbres for the very different demands of this challenging Ravel programme...The Kaddish can surely have never been more moving than it sounds on this fabulous disc.

18th August 2012

Ravel effected an understated formal revolution in vocal music, the pieces performed here by mezzo-soprano Nora Gubisch with pianist Alain Altinoglu being notable for their commitment to textual interpretation rather than sheer operatic grandeur.
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