Lucerne Festival Historic Performances Vol. III

To hear these live performances is a real treat… The distinctive sonority of the Czech Philharmonic, its idiomatic sense of light and shade and it rhythmic subtlety brings out flexibility and... — International Record Review, November 2013 More…

Release Date: 30th Sep 2013
Catalogue No: AUDITE95625
Label: Audite
Series: Lucerne Festival Historic Performances
Length: 81 minutes

Usually despatched in 3 - 4 working days

Dvořák: Symphony No. 8 in G major, Op. 88

Work length37:57

$9.00

$11.60

Tschechische Philharmonie
George Szell

I. Allegro con brio

Track length10:50

$3.00

$3.85

II. Adagio

Track length10:33

$3.00

$3.85

III. Allegretto grazioso - Molto vivace

Track length6:36

$1.00

$1.30

IV. Allegro ma non troppo

Track length9:58

$2.00

$2.60

Brahms: Symphony No. 1 in C minor, Op. 68

Work length43:04

$10.00

$12.90

Swiss Festival Orchestra
George Szell

I. Un poco sostenuto - Allegro

Track length13:28

$3.00

$3.85

II. Andante sostenuto

Track length9:07

$2.00

$2.60

III. Un poco allegretto e grazioso

Track length4:25

$1.00

$1.30

IV. Adagio - Più andante - Allegro non troppo ma con brio - Più allegro

Track length16:04

$4.00

$5.15

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Rhythmic precision, formal awareness, absolute faithfulness to the work and razor-sharp orchestral control: George Szell (1897-1970) is seen as one of the great orchestral disciplinarians of the 20th-century, as a superior musical director and an uncompromising perfectionist: a reputation which he gained, first and foremost, during his 24 years as music director of the Cleveland Orchestra, which he formed into one of the world’s finest ensembles. The musical roots of the Hungarian-born conductor, however, are in the 'Old World', and after the Second World War he was one of the first musicians in American exile to return to Europe for concerts.

During the '50s and '60, George Szell regularly appeared at Lucerne Festival. The concert recordings presented here, both of which are first releases, encompass two works central to his repertoire. In 1962, the 'anti-romantic and master of precision' (Harold C. Schonberg), alongside the Swiss Festival Orchestra, achieved a powerful and intensely determined interpretation of Brahms’ First Symphony: the transparently played, chamber-like middle movements are framed by outer movements full of suspense. In the summer of 1969, one year after the violent defeat of the 'Prague Spring', Szell was reunited with the Czech Philharmonic in Lucerne. He had worked with the orchestra as early as the 1930s during his tenure at the New German Theatre in Prague. His thrillingly energetic reading of the Eighth Symphony by Antonín Dvorák enthused the audience and critics in equal measure. According to the Neue Zürcher Zeitung: “Szell’s art of expressive tempo modification, preparing, building towards and resolving formal and dynamic tensions was demonstrated to such an extent that the entire symphony, from the beginning, seemed to have been lifted onto a higher level”.

Both recordings demonstrate that Szell’s concert recordings are particularly appealing, thanks to his willingness to take risks, lively musical flow and heightened emotional content: in contrast to his perfectly balanced studio recordings.

Reviews

November 2013

To hear these live performances is a real treat… The distinctive sonority of the Czech Philharmonic, its idiomatic sense of light and shade and it rhythmic subtlety brings out flexibility and warmth in Szell’s conducting… Szell collectors shouldn’t miss this.

11th November 2013

The Brahms First Symphony was central to Szell’s repertoire...Szell imbues the music with great certainty...If anything the Dvořák performance is even finer...
What is it about hearing Czech music played by a fine Czech orchestra? Everything sounds just right.

Lucerne Festival Historic Performances Vol. III

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