Florencio Asenjo was born in Buenos Aires, Argentina. He is best known for his approach to composing called “maximalism,” the objective of which was to achieve a high density of content in constant change: he decided to base his composing on the creation of sequences of themes that, taken in succession, were each a development of the preceding music. Again, this was not to be a formal development, or a variation on previous themes, but the creation of entirely new themes connected aesthetically to the preceding ones, a development of substance rather than of form, just as the various characters in a play do not repeat the same sentences over and over again except for special purposes; rather, each rejoins the preceding dialogue to take it further, while retaining the continuity of meaning and atmosphere. But please note: the result is not an avant-garde exercise. This is very colorful music, full of rich atmosphere and drama, upholding the traditions started by his fellow countrymen, such as Alberto Ginastera.