When the final curtain fell and the last notes of the orchestra died away on the opening night of The Crucible, an excited audience thundered its approval. The opera had been commissioned by the New York City Opera. The libretto and score were written in less than a year, the last page of the full score having been completed just 11 days before the first performance on October 26, 1961. In the days that followed, the press was almost unanimous in their high praise of the work and at the close of the 1961-62 season, it was awarded the Pulitzer Prize for Music. The Crucible, play and opera, draws upon the frenzy and anguish of the witch-hunt that took place in Salem, Massachusetts, in the 1690s. Eminent divines, such as Cotton Mather and the Reverend Hale, supplied ample theological proof for the existence of witches. However, in the actual conduct of the witch-hunts the real motives were as likely to be greed, local animosities, and sexual repression as obedience to the Biblical admonition, "thou shalt not suffer a witch to live." Though the composer and librettist have not utilized any texts or musical material from the period, they have, through the use of rugged hymn-like melodies and tunes almost like folk song in character, managed to convey the feelings and atmosphere of the time.
Artists
Chester Ludgin (John Proctor), Frances Bible (Elizabeth Proctor), Eunice Alberts (Rebecca Nurse), Joyce Ebert (Betty Parris), Norman Kelley (Reverend Samuel Parris), Patricia Brooks (Abigail Williams), Paul Ukena (Thomas Putnam), Maurice Stern (Giles Corey), Lorna Ceniceros (Ruth Putnam), Helen Guile (Susanna Walcott), Elizabeth Schwering (Martha Sheldon), Beverly Evans (Bridget Booth)
New York Opera Orchestra, Emerson Buckley
