Schütz & G. Gabrieli: Polychoral Splendour: from the four galleries of the Abbey Church of Muri

Release Date: 2nd Jul 2012
Catalogue No: AUDITE92652
Label: Audite
Length: 73 minutes

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Excerpt, Schütz: Psalms of David, SWV 22-47 (Op. 2)

4:36

$1.00

$1.20

Cappella Murensis, Cornets Noirs, Les
Johannes Strobl
Recorded: 25-28 July 2011
Recording Venue: Abbey Church of Muri

Warum toben die Heiden, SWV 23, "Psalm 2"

4:36

$1.00

$1.20

Gabrieli, G: 3 Sacrae Symphoniaea

3:50

$1.00

$1.20

Cornets Noirs, Les
Johannes Strobl
Recorded: 25-28 July 2011
Recording Venue: Abbey Church of Muri

Canzon primi toni a 8

3:50

$1.00

$1.20

Schütz: Symphoniarum sacrarum III, Op. 12, SWV 398-419 (text by Bible - New Testament)

2:38

$1.00

$1.20

Cornets Noirs, Les, Cappella Murensis
Johannes Strobl
Recorded: 25-28 July 2011
Recording Venue: Abbey Church of Muri

No. 18. Saul, Saul, was verfolgst du mich, SWV 415

2:38

$1.00

$1.20

Sacrae symphoniae (1597)

4:36

$1.00

$1.20

Recorded: 25-28 July 2011
Recording Venue: Abbey Church of Muri

Canzon quarti toni a 15

4:36

$1.00

$1.20

Schütz: Symphoniae Sacrae III

6:50

$1.00

$1.20

Cappella Murensis, Cornets Noirs, Les
Johannes Strobl
Recorded: 25-28 July 2011
Recording Venue: Abbey Church of Muri

Symphoniarum sacrarum III, Op. 12, SWV 398-419: No. 20. Komm, heiliger Geist, SWV 417

6:50

$1.00

$1.20

Gabrieli, G: Sonate e Canzoni

6:02

$1.00

$1.20

Cornets Noirs, Les
Johannes Strobl
Recorded: 25-28 July 2011
Recording Venue: Abbey Church of Muri

Canzon VIII a 8

6:02

$1.00

$1.20

Excerpt, Schütz: Psalms of David, SWV 22-47 (Op. 2)

6:13

$1.00

$1.20

Recorded: 25-28 July 2011
Recording Venue: Abbey Church of Muri

Ich danke dem Herrn, SWV 34, "Psalm 111"

6:13

$1.00

$1.20

Gabrieli, G: Sonate e Canzoni

6:39

$1.00

$1.20

Recorded: 25-28 July 2011
Recording Venue: Abbey Church of Muri

Sonata XVIII a 14

6:39

$1.00

$1.20

Symphoniarum sacrarum III, Op. 12, SWV 398-419 (text by Bible - New Testament)

6:12

$1.00

$1.20

Recorded: 25-28 July 2011
Recording Venue: Abbey Church of Muri

No. 14. Vater unser, der du bist im Himmel, SWV 411

6:12

$1.00

$1.20

Sacrae symphoniae (1597)

4:36

$1.00

$1.20

Recorded: 25-28 July 2011
Recording Venue: Abbey Church of Muri

Canzon in echo duodecimi toni a 10

4:36

$1.00

$1.20

Excerpt, Schütz: Psalms of David, SWV 22-47 (Op. 2)

5:50

$1.00

$1.20

Recorded: 25-28 July 2011
Recording Venue: Abbey Church of Muri

Zion spricht, der Herr hat mich verlassen, SWV 46

5:50

$1.00

$1.20

Sacrae symphoniae (1597)

4:35

$1.00

$1.20

Recorded: 25-28 July 2011
Recording Venue: Abbey Church of Muri

Canzon septimi toni a 8

4:35

$1.00

$1.20

Excerpt, Schütz: Psalms of David, SWV 22-47 (Op. 2)

10:23

$3.00

$3.60

Recorded: 25-28 July 2011
Recording Venue: Abbey Church of Muri

Alleluja, lobet den Herren, SWV 38, "Psalm 150"

10:23

$3.00

$3.60

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The young Heinrich Schütz’s four-year sojourn with Giovanni Gabrieli proved to be one of the most fruitful educational journeys to Italy undertaken by a German musician. Following his return, Schütz presented his 'Psalms of David' in 1619: an impressive result of his encounter with the Italian musical style. These 'German Psalms in the Italian Manner' are consistently based on the polychoral style with which Schütz had become acquainted in the Venetian tradition of cori spezzati. As first organist of St Mark’s, Venice, Gabrieli included in his compositions the architecture of this ecclesiastical building in a unique way, placing the singers and instrumentalists, who were divided into as many as four choirs, in facing galleries, thus achieving remarkable sonic and spatial effects.

On this recording the Cappella Murensis and the ensemble Les Cornets Noirs make use of the four galleries in the Abbey Church at Muri where the abbots and master builders designed the octagonal nave of specifically for polyphonic effect. In the works for two, three and four choirs, voices and instruments blend with a total of four continuo organs, producing a unique sound. The inclusion of the two large historic Bossart organs (Epistle and Gospel) as continuo instruments creates an additional dynamic palette.

With magnificent Sonatas and Canzonas by Giovanni Gabrieli, Les Cornets Noirs, led by the cornettists Gebhard David and Bork-Frithjof Smith, are showcased as one of the leading European ensembles in early baroque music.

Schütz & G. Gabrieli: Polychoral Splendour

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