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Bach, J S: Mass in B minor, BWV232

Collegium Vocale Gent, Philippe Herreweghe

Bach, J S: Mass in B minor, BWV232

Awards:

Herreweghe's account proves outstanding. The Collegium Vocale Gent, from which the soloists are drawn, is numerous enough [to] create warm lines, contrasting with the crisper tone of the instruments...

Bach, J S: Mass in B minor, BWV232

Collegium Vocale Gent, Philippe Herreweghe

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320 kbps, MP3

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

Awards:

Herreweghe's account proves outstanding. The Collegium Vocale Gent, from which the soloists are drawn, is numerous enough [to] create warm lines, contrasting with the crisper tone of the instruments...

About

"If at first you don’t succeed, try, try again”. Philippe Herreweghe’s longlasting interest in the works of the Cantor of Leipzig has turned him into a man whose views evolve as he delves deeper into his subject matter. The joy that he feels – combined with a very legitimate sense of pride – in having forged musical tools that have today reached maturity, has led him to come back on a Missa that has never ceased to intrigue him: the catholic Missa of the protestant composer Bach.

Last spring, theJesus-Christus Kirche in Berlin came alive with the splendid sounds of Bach’s score as preceding recordings of the Missa no longer met the radiant vision that the Flemish maestro had of it. Together with a handful of excellent soloists – included in the choir – and a Collegium vocally and instrumentally at its best, Philippe Herreweghe delivers a work that must be savoured like a sweet or a last supper where rigor and hedonism, inner depth and outer seduction tenderly offer themselves to the listener.

Contents and tracklist

Kyrie: Kyrie eleison 1
Track length9:13
Kyrie: Christe eleison
Track length4:55
Kyrie: Kyrie eleison 2
Track length3:03
I.4 Missa brevis "Et in terra pax hominibus" (Vivace)
Track length1:42
I. 5 Missa brevis "Et in terra pax" (Tranquillo)
Track length4:15
Gloria: Laudamus te
Track length4:01
Gloria: Gratias agimus tibi
Track length2:28
Gloria: Domine Deus
Track length5:34
Gloria: Qui tollis peccata mundi
Track length2:42
Gloria: Qui sedes ad dextram Patris
Track length4:13
Gloria: Quoniam tu solus sanctus
Track length4:29
Gloria: Cum Sancto Spiritu
Track length4:03
II. Symbolum Nicenum. Credo in unum Deum
Track length1:59
II. Symbolum Nicenum. Patrem omnipotentem
Track length1:53
II. Symbolum Nicenum. Et in unum Dominum
Track length4:21
II. Symbolum Nicenum. Et incarnatus est
Track length2:49
II. Symbolum Nicenum. Crucifixus
Track length2:45
II. Symbolum Nicenum. Et resurrexit
Track length4:02
II. Symbolum Nicenum. Et in Spiritum Sanctum Dominum
Track length4:47
II. Symbolum Nicenum. Confiteor
Track length3:28
II. Symbolum Nicenum. Et exspecto
Track length2:22
III. Sanctus
Track length4:55
Osanna in excelsis 1
Track length2:46
Benedictus
Track length3:30
Osanna in excelsis 2
Track length2:48
Agnus Dei
Track length5:05
Dona nobis pacem
Track length2:49

Spotlight on this release

Awards and reviews

July 2012

Herreweghe's account proves outstanding. The Collegium Vocale Gent, from which the soloists are drawn, is numerous enough [to] create warm lines, contrasting with the crisper tone of the instruments - I've never heard Bach's counterpoint more transparent. The balance between blend and individuality is superb, their empathy palpable...Its very moderation makes this a wonderful recording - highly recommended.

August 2012

This is Philippe Herreweghe's third commercial recordings of the Mass in B minor in 23 years and, unlike many conductors who serially return to cornerstone pieces, his finest to date...Herreweghe is a master of when to fill the sails and when to trim them...Atmosphere is ultimately what places Herreweghe's new reading in the higher echelons...This account is one of the most consistent in recent years.

September 2012

given that this is a B minor Mass which exudes buoyancy, freshness and vitality, what are the drawback? The simple answer is: very few. Perhaps at times both the orchestral support and the vocal weight is a shade too light for some of the more weighty moments...As for the highlights, these are too numerous to list...This certainly stands as Herreweghe's most arresting reading of the work so far.

August 2012

the clarity of the singing is really delightful; one is reminded, not for the only time in this performance, how much Bach’s music is founded in the dance...Whatever your standpoint, unless you are allergic to period-style performance of Bach then I would urge you to hear this marvellous new recording.
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