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Affettuoso: Emilio Percan

Emilio Percan (baroque violin), Oriol Aymat-Fusté (baroque cello) & Luca Quintaville (harpsichord)

Affettuoso: Emilio Percan
Percan is an extremely capable violinist. Playing a modern Baroque-style instrument by Johannes Loescher, he makes a fine, bright, ringing tone, and many of the quicker movements sound brilliant...

Affettuoso: Emilio Percan

Emilio Percan (baroque violin), Oriol Aymat-Fusté (baroque cello) & Luca Quintaville (harpsichord)

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Percan is an extremely capable violinist. Playing a modern Baroque-style instrument by Johannes Loescher, he makes a fine, bright, ringing tone, and many of the quicker movements sound brilliant...

About

Giovanni Antonio Piani (1678–1760) was one of the most important violinists of the Baroque and his reputation, today, rests upon the surviving 12 sonatas of his Op.1 set published in 1712 (all his other works are lost). In an unusually long and detailed preface to the sonatas, Piani provided highly detailed instructions on bowing, fingering, dynamics, ornamentation and tempi. In effect, this is the most detailed instruction manual for students of the Baroque violin and the performance practice of the day. Piani worked in Paris and Vienna, and is one of the key figures in the French violin school from Lully to Viotti.

Emilio Percan, a member of l’arte del mondo (ONYX4068), has programmed four Piani sonatas with two contemporary London-based masters – Geminiani and Handel, whose late and great Sonata in D is a masterwork of the late Baroque. Piani’s music is beautifully crafted and melodic and his works on this CD are receiving their world premiere recordings whilst Percan’s advocacy of these superb and little-known sonatas should be of interest to those who love Baroque music.

Contents and tracklist

I.Piani; Preludio: Grave, e affettuoso
Track length2:18
II.Piani; Allemada: Allegro, e spiccato
Track length3:31
III. Piani; Sarabanda
Track length3:33
IV.Piani; Allegro, ma non presto
Track length3:54
I.Piani; Preludio: Grave, e affettuoso
Track length1:49
II.Piani; Corrente: Allegro, e spiccato
Track length2:18
III.Piani; Aria: Allegro
Track length0:45
IV. Piani; Andante
Track length3:53
V.Piani; Allegro
Track length1:37
I.Geminiani; Affettuoso
Track length1:35
II.Geminiani; Vivace
Track length2:20
III.Geminiani; Adagio
Track length1:44
IV. Geminiani; Vivace
Track length2:11
I.Handel; Affettuoso
Track length3:03
II.Handel; Allegro
Track length2:33
III.Handel; Larghetto
Track length2:36
IV.Handel; Allegro
Track length3:37
I.Geminiani; Grave
Track length2:15
II.Geminiani; Allegro
Track length2:01
III.Geminiani; Grave
Track length0:37
IV.Geminiani; Allegro
Track length2:13
I.Piani; Preludio: Poco Andante
Track length1:23
II. Allemanda: Allegro
Track length3:35
III. Sarabanda: Largo assai
Track length2:13
IV. Adagio
Track length2:42
V. Allegro assai
Track length1:12
I. Piani; Preludio: Adagio, e affentuoso
Track length1:31
II. Corrente: Allegro, ma non presto
Track length3:17
III. Allemanda: Allegro, ma non presto
Track length3:17
IV. Adagio
Track length2:35
V. Allegro assai
Track length2:30

Awards and reviews

August 2012

Percan is an extremely capable violinist. Playing a modern Baroque-style instrument by Johannes Loescher, he makes a fine, bright, ringing tone, and many of the quicker movements sound brilliant and inspiriting. But I miss the close engagement with details of phrasing...One can imagine Piani's music appearing more strongly engaging, then, but Percan has certainly shown us how worthwhile and effective it is.
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