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American Song

Meriel Dickinson (mezzo), Peter Dickinson (piano)

American Song
these recordings also have authority as well as boundless expressiveness and enthusiasm. It’s a wonderful musical voyage to the New World.

American Song

Meriel Dickinson (mezzo), Peter Dickinson (piano)

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these recordings also have authority as well as boundless expressiveness and enthusiasm. It’s a wonderful musical voyage to the New World.

About

The Dickinsons, who flourished from the late 1960s to the early 1990s, performed works by Copland, Carter and Thomson for the composers themselves and their performances, which are captured on this disc, including the Cage cycle, were first recordings, as is Copland's late piano piece Night Thoughts. As such, it is an important and historic release for those interested in American music.

‘Thank you so much for sending me your excellent recording. I have listened to the performances with the greatest pleasure. Your playing is absolutely topflight, and your sister’s command of the Gershwin style, let alone all the others, is superb.’ William Schuman

Contents and tracklist

Dust of Snow
Track length1:11
The Rose Family
Track length1:28
The Line Gang
Track length1:49
English Usage
Track length2:11
My Crow Pluto
Track length2:20
Little Four Paws
Track length1:25
Little Christmas Tree
Track length3:08
In Just
Track length1:09
Hist Whist
Track length1:04
Another Comes
Track length1:07
There Came a Wind Like a Bugle
Track length1:32
Why Do They Shut Me Out of Heaven?
Track length1:51
The World Feels Dusty
Track length1:50
Heart, We Will Forget Him
Track length2:05
Dear March, Come in!
Track length2:07
Sleep Is Supposed to Be
Track length3:00
I Felt a Funeral in My Brain
Track length2:09
I've Heard an Organ Talk Sometimes
Track length2:10
Going to Heaven!
Track length2:36

Awards and reviews

November 2014

these recordings also have authority as well as boundless expressiveness and enthusiasm. It’s a wonderful musical voyage to the New World.

6th May 2012

Meriel Dickinson’s mezzo is in fine fettle, and she thrillingly embraces the stylistic extremes of Copland’s ecstatic “Going to Heaven” and the eccentric speech-song of Virgil Thomson’s Portrait of FB.
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