Korngold & Works for Violin & Piano, String Sextet Op. 10

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Release Date: 5th Dec 2011
Catalogue No: PHIL06013
Label: PhilHarmonie
Length: 62 minutes

Korngold: Serenade from Der Schneemann

Work length2:19

$1.00

$1.30

Korngold: Caprice Fantastique (Wichtelmannchen from Marchenbilder, Op. 3)

Work length4:34

$1.00

$1.30

Caprice Fantastique (Wichtelmannchen from Marchenbilder, Op. 3) (arr. Rozsika Revay)

Track length4:34

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Excerpt, Korngold: Die Tote Stadt, Op. 12

Work length5:44

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Die tote Stadt, Op. 12: Gluck, das mir verblieb, "Marietta's Lied"

Track length5:44

$1.00

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Korngold: Much Ado About Nothing, Op. 11: suite for violin (or cello) & piano

Work length12:43

$4.00

$5.20

I. Madchen im Brautgemach

Track length3:27

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II. Holzapfel und Schlehwein

Track length2:19

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III. Gartenscene

Track length4:56

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IV. Mummenschanz

Track length2:01

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Excerpt, Korngold: Die Tote Stadt, Op. 12

Work length4:24

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Die tote Stadt: Tanzlied des Pierrot, Op. 12

Track length4:24

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Korngold: String Sextet in D, Op. 10

Work length33:08

$7.00

$9.05

I. Moderato - Allegro

Track length9:40

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$2.60

II. Adagio

Track length10:17

$3.00

$3.85

III. Intermezzo

Track length6:57

$1.00

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IV. Finale: Presto

Track length6:14

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$1.30

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In Werke für Violine und Klavier, the interplay between grotesque humour and instant melodic upswings the piece demonstrates the amazing plasticity of the young Korngold’s inventiveness. Korngold draws on the classical forms in the String Sextet in D, but realizes them individually; the tonal harmonies are sometimes stretched to their limits, without touching their significant function; though the six voices are conceived polyphonically, they can resound orchestrally – all this is part of the trade of the ingenious adolescent.

Korngold’s ballet ‘The Snowman’ (Der Schneemann) was one of his early major achievements written at the age of eleven. Shortly afterwards he composed Wichtelmännchen’ and the ‘Caprice fantastique’ from the ‘Fairy Tale Pictures’ Op. 3 for piano. Two hits from the successful opera ‘Die Tote Stadt’ follow: ‘Glück, das mir verblieb’ andthe ‘Tanzlied des Pierrot’ are essentially waltzes, highly eloquent in the versions for violin. The Sextet stems from 1914/15, just after the completion of ‘Violanta’; the première being given in 1917 by an ensemble directed by Arnold Rosé, the famous concertmaster of the Vienna Philharmonic. Korngold draws on classical forms, but touches with the gifts of an ingenious adolescent, evoking comparison with passages of the Schoenberg sextet ‘Verklärte Nacht’ of 1899.

Korngold & Works for Violin & Piano, String Sextet Op. 10

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