Telemann: A Fagotto Solo

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Release Date: 28th Nov 2011
Catalogue No: RIC314
Label: Ricercar
Length: 72 minutes

Telemann: Quartet in D-Moll, TWV 43:d1

Work length15:23

$4.00

$6.00

$8.20

Guy Penson, Jérémie Papasergio, Elsa Frank, Ruth van Killegem, Bernard Woltèche

Quartet D-Moll, TWV 43:d1: I. Andante

Track length3:16

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Quartet D-Moll, TWV 43:d1: II. Vivace

Track length4:05

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Quartet D-Moll, TWV 43:d1: III. Largo

Track length3:33

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Quartet D-Moll, TWV 43:d1: IV. Allegro

Track length4:29

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Telemann: Sonata in F-Moll, TWV 41:f1

Work length9:56

$4.00

$6.00

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Guy Penson, Jérémie Papasergio, Bernard Woltèche

Sonate F-Moll, TWV 41:f1: I. Triste

Track length2:38

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Sonate F-Moll, TWV 41:f1: II. Allegro

Track length3:58

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Sonate F-Moll, TWV 41:f1: III. Andante

Track length1:29

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Sonate F-Moll, TWV 41:f1: IV. Vivace

Track length1:51

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Telemann: Trio in F-Dur, TWV 42:F1

Work length6:47

$3.00

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Guy Penson, Jérémie Papasergio, Stéphanie de Failly

Trio Sonata F-Dur, TWV 42:F1: I. Allegro

Track length2:39

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Trio Sonata F-Dur, TWV 42:F1: II. Soave

Track length2:42

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Trio Sonata F-Dur, TWV 42:F1: III. Presto

Track length1:26

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Telemann: Trio in A-Moll, TWV 42:a6

Work length9:15

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Guy Penson, Jérémie Papasergio, Elsa Frank, Ruth van Killegem

Trio sonate A-Moll, TWV 42:a6: I. Largo

Track length2:22

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Trio sonate A-Moll, TWV 42:a6: II. Allegro (1)

Track length1:21

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Trio sonate A-Moll, TWV 42:a6: III. Cantabile

Track length2:28

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Trio sonate A-Moll, TWV 42:a6: IV. Allegro (2)

Track length3:04

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Zelenka: Trio in B-Dur, ZWV 181 / 3

Work length14:56

$4.00

$6.00

$8.20

Guy Penson, Jérémie Papasergio, Elsa Frank, Stéphanie de Failly

I. Adagio

Track length3:29

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II. Allegro

Track length4:18

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III. Largo

Track length3:07

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IV. Allegro – Tempo giusto

Track length4:02

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Telemann: Trio in B-Dur, TWV 42:B5

Work length6:43

$3.00

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$6.15

Guy Penson, Jérémie Papasergio, Stéphanie de Failly

Trio sonate B-Dur, TWV 42:B5: I. Vivace (1)

Track length2:16

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Trio sonate B-Dur, TWV 42:B5: II. Siciliana

Track length2:42

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Trio sonate B-Dur, TWV 42:B5: III. Vivace (2)

Track length1:45

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Schaffrath: Duetto in G-Moll

Work length9:42

$3.00

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Guy Penson, Jérémie Papasergio

I. Andante

Track length3:21

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II. Allegro assai

Track length3:44

$1.00

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III. Allegro

Track length2:37

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Of all the instruments that were being developed at the beginning of the 18th century, the role of the bassoon in music of that time is still insufficiently recognised. Telemann and his German contemporaries composed true solo passages for the instrument and also used it in combination with the violin, the flute, the oboe and the harpsichord. Musicians have now been performing on ‘original instruments’ for fifty years; during this time they have refashioned their techniques by combining what they have learnt from period sources with modern instrumental usage. For the oboe and bassoon, however, the two fundamental issues of historical reeds and fingerings have not yet been fully explored: modern techniques of reed-making have been adapted to historical instruments primarily for reasons of convenience. If, however, we take our lead from historical texts, from depictions of the instruments in contemporary art and from the instruments themselves that have survived, the sound that we then obtain is astonishingly different: it has more freedom and more timbre and the instrument’s production of this sound is much facilitated. This flexibility of the reed can disconcert a player who is used to a modern instrument; he simply has to become accustomed to it! The fingerings that we have used for this recording have been taken from fingering tables dating from the first half of the 18th century. Our tuning system is naturally linked to the ‘unequal’ tunings used by keyboards of the time. The highest notes in the instruments’ ranges require much more control from the player — they are difficult to produce cleanly — to the great benefit of the music’s virtuosity, brilliance and homogeneity. We have already demonstrated that these techniques increase the colours and expressive potential of even earlier forms of the oboe and bassoon in our recordings; in this recording we employ them for the first time on the instruments as they were known in the Baroque era.

Telemann: A Fagotto Solo

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